Animated comedy 'Megamind' pulls through on its voice casting with Will Ferrell as the supervillain.
Emily Blunt stars in 'Wild Target,' a black comedy based on a French farce that doesn't mix well with English gooniness.
Gandolfini shifts gears to role of protector in 'Welcome to the Rileys,' a family drama about a grieving father who takes a young girl under his wing.
The documentary 'Waste Land' takes us through Rio's largest landfill and into the lives of garbage pickers as a Brazilian expat seeks to raise their spirits through art.
The final chapter of Stieg Larsson's trilogy, 'The Girl who Kicked the Hornet's Nest' brings punk hacker Lisbeth's quest to a blazing climax.
Matt Damon narrates 'Inside Job,' a meticulous exploration of what led to the crash of 2008.
It's boxing minus all the malarkey in "Boxing Gym," in documentary director Frederick Wiseman's latest.
Director Clint Eastwood's moody 'Hereafter' tries hard, but veers uncomfortably close to quackery.
The Company Men: Ben Affleck and Kevin Costner illustrate our recession trauma in this latest release.
Helen Mirren stars as an aging action hero in 'Red.'
Strong performances by Hilary Swank, Minnie Driver, and Sam Rockwell make 'Conviction' worth seeing.
'Tamara Drewe' blends sexy and funny.
Margarethe von Trotta's new film, 'Vision,' portrays 12th-century Christian mystic Hildegard von Bingen.
The latest film on psychiatric ward patients, 'It's Kind of a Funny Story,' is based on Ned Vizzini's semiautobiographical novel.
A teenage, pre-Beatles John Lennon pulls through hard times with rock 'n' roll in 'Nowhere Boy.'
In 'Life as We Know It,' Katherine Heigl plays a mopey singleton suddenly faced with parenthood.
In 'Secretariat,' Diane Lane plays Penny Chenery, owner of the greatest of all racehorses who, in 1973, won the Triple Crown.
Documentary 'Waiting for "Superman" ' takes a swipe at unions as the cause of America's failing high schools.
In 'Howl,' the drama centers on the obscenity trial Allen Ginsburg faced after publishing his poem by the same name.
This provocative yet scattershot documentary is based on the bestselling book 'Freakonomics' and gives five documentarians the chance to explore some quirky ideas.
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