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Oscar winner 'A Separation': Iranians celebrate historic award

Oscar winner and director Asghar Farhadi said 'A Separation' depicted Iran 'through her glorious culture, a rich and ancient culture that has been hidden under the heavy dust of politics.'

By Scott Peterson, Staff writer / February 27, 2012

Asghar Farhadi, from Iran, poses with his award for best foreign language film for "A Separation" during the 84th Academy Awards on Sunday, Feb. 26, in the Hollywood section of Los Angeles.

Joel Ryan/AP

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Istanbul, Turkey

The first-ever Oscar victory for an Iranian film is being hailed by many Iranians, both inside and outside the country, as a humanizing antidote to pervasive talk of war over Iran's nuclear program.

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A Separation grapples with universal themes, from troubled relationships and their destructive impact on ordinary families to class divisions. Taking place under the shadow of an unbending and grinding Islamic regime, however, it also uses a failing marriage as a metaphor for Iranians who desire to leave their country for a better life.

Elation erupted across Iran at the Oscar announcement, as Iranians stayed up into the early hours to watch the ceremony on illegal satellite dishes. State television did not air the event.

"At this time, many Iranians all over the world are watching us and I imagine them to be very happy," writer-director Asghar Farhadi said while accepting the golden statue.

"At the time when talk of war, intimidation, and aggression is exchanged between politicians, the name of their country, Iran, is spoken here through her glorious culture, a rich and ancient culture that has been hidden under the heavy dust of politics," Mr. Farhadi said.

"I proudly offer this award to the people of my country, the people who respect all cultures and civilizations and despise hostility and resentment," he added.

Backdrop of war talk

The appeal to Iran's rich cultural history and civilized tradition could not be in starker contrast to the overbearing war of words (and covert war that includes assassinations of Iranian nuclear scientists) being waged between politicians and pundits of Israel, the US, and Iran.

Though top American intelligence and military officers state clearly that Iran has not decided to make a nuclear weapon, expectations of imminent conflict and constant threat warnings have been fanned by Republican presidential candidates and some in Congress, and furthered by the media.

Conservative commentator Tucker Carlson said on Fox News last week, for example, that "Iran deserves to be annihilated. I think they're lunatics. I think they're evil."

Into this toxic atmosphere has come a film deceptively simple in its outlook – like so many of Iran's cinematic masterpieces before it – but which then binds its characters within an increasingly destructive web of mutual misperceptions, misjudged actions, and lies.

Even as Iranians are feeling the burden of US and European sanctions, and hear daily threats and counterthreats about war, A Separation delves into the daily lives of families coping with troubled domestic circumstances, unemployment, a religious-secular divide, and caring for a school-age daughter and an incapacitated, ailing father.

"I feel fresh air in my lungs," art student in Tehran Erfan Khazaei told the Associated Press after watching the awards ceremony with friends on an illegal satellite set-up. "Now we are more hopeful about the future."

"Zealous Iranian" tweeted: "This Oscar win will make the urban Iranian feel as if they're part of the world, a feeling Iranians don't get often."

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