Timbuktu, the birthplace of blues
Don't argue with an African about the birthplace of blues. It's Timbuktu. Hear why.
• A local, slice-of-life story from a Monitor correspondent.Skip to next paragraph
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Ask an African, and he’ll look at you as if you’re stupid. The blues came from Timbuktu, where the sands of the Sahara met the banks of the mighty Niger River, and reached a compromise. Here, Arab and Tuareg caravans came from the desert bearing slabs of precious salt and bartered with African traders offering pots of gold (and often slaves) in return. The culture that came out of this meeting place produced a rhythmic and mournful music that you can still hear in the songs of the Tuareg, Fulani, and Songhay communities here.
It’s advisable not to argue with the folks in Timbuktu about this point, unless you’re in a dangerous mood.
“My father used to tell me all the time that the blues is not from America, it’s from Africa,” says Vieux Farka Toure, Mali’s top guitarist, and son of the late guitarist Ali Farka Toure. “Who plays the blues? African-Americans do. In fact, I don’t even like to think of them as African-Americans. They are Africans living in the United States.”
The words may sound pugnacious or boastful, but Mr. Toure delivers them with a gentle, matter-of-fact smile, as if explaining to a child that milk comes from a cow or that apples grow on trees. And while academics may question whether the blues were born here in the sands of the Sahara – or perhaps down in the swamps of Nigeria, Angola, or Mozambique – it is without question that the blues came from Africa, in the hearts of the 20 million slaves who were brought to the New World.