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'Paper Towns' is a mild coming-of-age tale

'Paper' stars Nat Wolff as Quentin, who is fascinated with his neighbor Margo (Cara Delevingne) and who convinces his friends to help him find Margo when she disappears.

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    'Paper Towns' stars Nat Wolff (r.) and Cara Delevingne (l.).
    Michael Tackett/Twentieth Century Fox/AP
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Based on an earlier teen fave novel by "The Fault in Our Stars" author John Green, "Paper Towns" is a mild coming-of-ager about dawning awareness and life lessons learned among a small group of Florida high school seniors. Part mystery story, part road movie, and part pre-prom graduation romp, the film is most interesting as a perspective on adolescence in which all the girls are more mature, nervy, and perceptive than any of the boys, who have some catching up to do if they're to have a chance with any of them.

Adapted by "Stars" screenwriters Scott Neustadter and Michael H. Weber from the winner of an Edgar Award for best young adult mystery novel of 2008, "Paper Towns" hinges on the lifelong fascination the smart, semi-dweeby Quentin (Nat Wolff, who played the lead's best friend in "Stars") nurses for his across-the-street neighbor Margo (Cara Delevingne). Best friends and partners in crime as young kids, they've grown apart since Margo became popular, so it comes as a jolting surprise to Q, as he's known, when Margo shows up in his bedroom late one night shortly before the end of the school year and dares him to take her out in his parents' car. She won't specify the reasons but breaks down his wimpy resistance merely by saying, "Basically, this is going to be the best night of your life."

Margo's agenda is to extract revenge on her cheating boyfriend, which she does, with some reluctant help from Q, in prankishly creative ways. After Margo has visited sufficient humiliation and discomfort on her ex, she and Q end up in a high-rise looking down on Orlando at night, which puts her in a philosophical mood: it's "a paper town with paper people," she observes.

And then she disappears. Completely. She doesn't show up at school for days, she's left home. No one knows what to think. While Q and his borderline-nerdy buds Ben (Austin Abrams) and Radar (Justice Smith) count the days until graduation and mull over prom plans, Q fixates on the idea that Margo has left hidden clues about her whereabouts that he begins piecing together and sharing with his patient but skeptical friends.

Despite pretty flimsy evidence, Q manages to convince his pals that they should drop everything and join him on a drive all the way to New York state, where he is certain Margo's hiding in a true "paper town" (a term for nonexistent communities created by map-makers to thwart plagiarizers). So his friends all agree to pile into a minivan for the trek – provided Q guarantees their return by prom night.

For entirely accidental reasons, "Paper Towns" will receive an enormous amount of unintended notoriety based on an incidental sequence that touches upon some major ongoing news. At a gas station pit stop somewhere in the South, Radar, who is black, decides he needs a new shirt and picks one up. It isn't until they're all back in the van, however, that he unfolds the T-shirt to discover the Confederate flag splashed across it along with the phrase "Heritage Not Hate." He laughs about it and merely turns it inside-out before putting it on.

By the end, nearly all the story's questions, mysteries, and dilemmas have been neatly answered and tied up, with just a dash of melancholy and a hint of maturity added to the mix as life moves on.

The affable sincerity of the cast helps, led by the likably open performance by Wolff, whose Quentin becomes visibly aware of how much growing he's still got to do.

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