Beasts of the Southern Wild: movie review
Director Benh Zeitlin can't seem to get a visual rhythm going in 'Beasts.'
'Beasts of the Southern Wild' is an ungainly mix of harsh realism and magical realism.
Mary Cybulski/Fox Searchlight Pictures/AP
Much film festival praise has been showered on “Beasts of the Southern Wild” and I wish I could join in. But this movie about a ragamuffin 6-year-old girl, Hushpuppy (spunky Quvenzhané Wallis), her messed-up father, Wink (Dwight Henry), and the southern Louisiana swampland they inhabit kept reminding me of movies I wish I had been watching instead (like Robert Flaherty’s “Louisiana Story”).
Skip to next paragraphSubscribe Today to the Monitor
Director Benh Zeitlin, working from a script by Lucy Alibar adapted from her stage play “Juicy and Delicious,” can’t seem to get a visual rhythm going. He mixes harsh realism with (unmagical) magical realism; and the results are often ungainly, especially when he stages an attack by giant boarlike creatures. (I wanted to quip: “Where the Wild Things Aren’t.”) The endangered swampland dwellers are supposed to be an indigenous pastoral community threatened by eco-unfriendly oil refineries. I kept rooting for Hushpuppy and Co. to leave behind their squalor and relocate. This is not the politically correct response. Grade: C (Rated PG-13 for thematic material including child imperilment, some disturbing images, language and brief sensuality.)









These comments are not screened before publication. Constructive debate about the above story is welcome, but personal attacks are not. Please do not post comments that are commercial in nature or that violate any copyright[s]. Comments that we regard as obscene, defamatory, or intended to incite violence will be removed. If you find a comment offensive, you may flag it.