Review: 'A Thousand Years of Good Prayers'
Tale of a Chinese widower who comes to stay with his chilly Americanized daughter has quiet suspense and poignancy.
Faye Yu and Henry O in A Thousand Years of Good Prayers.
Courtesy of Magnolia Pictures
After flailing around for years with such anonymous films as "Maid in Manhattan" or such misbegotten affairs as "Chinese Box," it was fair to think that director Wayne Wang – once the great hope of independent Asian-American filmmakers – was a lost cause. Wang's "A Thousand Years of Good Prayers" gives the impression of a director reborn, or at least a director who has his mojo back after closely studying the masterpieces of family life by Edward Yang and Yasujiro Ozu, both of whom loom large over this simple, pristine tale of Chinese widower Mr. Shi (Henry O) spending some time with his chilly Americanized daughter Yilan (Feihong Yu). While Shi's old-school Communist ideals strike Yilan as slightly amusing, his concerns about her well-being and snaring a husband become oppressive. To make matters worse for their relationship (but better for the film), she avoids confrontation, lending the drama a sense of quiet suspension and poignancy in its exploration of the often unbridgeable gap that separates parent from child. Grade: B (Unrated.)
Skip to next paragraphSubscribe Today to the Monitor





These comments are not screened before publication. Constructive debate about the above story is welcome, but personal attacks are not. Please do not post comments that are commercial in nature or that violate any copyright[s]. Comments that we regard as obscene, defamatory, or intended to incite violence will be removed. If you find a comment offensive, you may flag it.