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In professional 'personal documentaries,' memories polished – and preserved

DVDs that chronicle people's lives – the ultimate memory keepsake – are centerpieces at weddings, funerals, and anniversaries.

By Teresa MéndezStaff writer of The Christian Science Monitor / February 29, 2008

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New York

In a dimly lit room on the edge of Chelsea, the fragments of Tiana Schlossberg's life are being cobbled together, piece by piece, like a Technicolor puzzle. There are the vacations and the downtime with friends. There are baby pictures and video clips and a handful of other glossy, celluloid memories.

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"It's a lot of moving parts," says Peilin Chou, tracing her hand over the computer monitor. "It can be challenging – we're looking for that one sound bite."

Ms. Chou, and her partner, John Brancaccio, are veterans of television and film production. Their résumés include stints for MTV, Fox, ESPN, Bravo, Spike, Nickelodeon, and, in Mr. Brancaccio's case, a pair of feature documentaries shot in Africa. But today their project is small in scope and decidedly more intimate. They're here to put the finishing touches on a film about Tiana's life that will be shown at her bat mitzvah celebration just a few days away. For Tiana and her family, the 15-minute portrait is a way to mark this milestone, her passage from childhood to adulthood.

Searching for something more polished than a home video, individuals and families are commissioning professionals to film and edit personal documentaries with a mind to screening them at bat mitzvahs, birthdays, weddings, and even funerals.

Advances in affordable video technology have made it so that just about anyone can wield a camera and, with the help of a desktop editor, splice together a personal story. But the easy availability of these tools seems to have underscored the value of expert guidance. Companies like Chou and Brancaccio's Lifefilm Productions are helping customers (who can afford their services) produce well-told stories.

Stories, they hope, that will hold up for viewers outside the family.

"Because everybody can do it, nobody does it well," says Federico Muchnik, director of the film program at the Center for Digital Imaging Arts at Boston University. "It's incumbent now upon the craft people to sculpt: to use their craft – lighting, sound, storytelling – to make a compelling movie."

Photo montages and even short films, often with a comedic bent, are staples of the New York bar mitzvah circuit, says Tiana's mother, Zena Saunders. She was looking into making a montage for her daughter's bat mitzvah when she came across Lifefilm.

"They're so different," says Ms. Saunders, whose daughter was angling for something humorous that would appeal to her peers. "Instead of just being the typical slapstick script kind of material, it was more of a personal, family experience film – more documentary-ish. I figured if I was going to do something to mark the moment, I wanted it to be more than slapstick."

To make Tiana's video, there were interviews with her sister and parents and with both sets of grandparents. There was a day of shooting her with her horse, Macy, at a stable outside the city. (The theme the family settled on, in consultation with Chou and Brancaccio, was "life lessons," centered on what Tiana has learned as an equestrian. Her mother agreed to a short introductory skit with Tiana and Macy to insert some humor into the film.) There was a flurry of e-mails, back and forth, between Tiana's mom and her editors. There was a rough cut. And finally, after five months, Tiana's film was ready.

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