The copyright on the book, which is held by Bavaria, a German state, would have expired in 2015. The new edition of “Mein Kampf” will include commentary, according to Bavarian finance minister Markus Söder.
“We want to make clear what nonsense it contains and what a worldwide catastrophe this dangerous body of thought led to,” Söder told The Independent.
The country of Bavaria will also be releasing the edition of the book as an audio book, an e-book, a school version, and an English-language translation.
“If it is going to be released, then I prefer seeing a competent annotated version from the Bavarian state than profit-seekers trying to make money with Nazis,” Graumann said.
However, Deidre Berger, the head of the Berlin office of the American Jewish committee, said she was uncomfortable with the plans for a new edition.
"I think we shouldn't underestimate the potential danger to this day of this book," she told the AFP. "This book presented a genocidal theory that was then enacted, and the book continues to exert a horrible attraction for many young people."
As we reported, the German magazine Zeitungszeugen had planned to publish excerpts of the book last January, but ultimately backed down after the Bavarian government began legal proceedings against the magazine.
Editions of the book exist in Germany – the book isn’t banned – but before now, reprinting or selling the book has not been allowed.
“Mein Kampf” has been available on the Internet and in other countries as well as in multiple languages.
Molly Driscoll is a Monitor contributor.
The publishing division Tom Doherty Associates, the section of Macmillan that releases science fiction and fantasy books through Tor, Forge and others, announced that it will stop selling e-books with Digital Rights Management (DRM) by July of this year.
The DRM system aims to stop users from pirating e-books, but many have complained because the DRM technology stops them from transferring a digital book they’ve legitimately bought from one e-book reader to another, such as from a Kindle to a Nook.
Tom Doherty, founder of Tom Doherty Associates, noted this problem in his statement about the change.
“Our authors and readers have been asking for this for a long time,” Doherty said. “They’re a technically sophisticated bunch, and DRM is a constant annoyance to them. It prevents them from using legitimately-purchased e-books in perfectly legal ways, like moving them from one kind of e-reader to another.”
Fellow sci-fi publisher Baen Books has also supported taking DRM off e-books and sells their own electronic titles in multiple formats, setting the titles at costs that are the equivalent of or less than the price of buying the book in paperback form.
Tor author John Scalzi wrote on his blog that he’s never seen DRM be particularly useful.
“DRM hasn’t stopped my books from being out there on the dark side of the Internet,” Scalzi wrote. “Meanwhile, the people who do spend money to support me and my writing have been penalized for playing by the rules…. So the idea that my readers will, after July, ‘buy once, keep anywhere,’ makes me happy. “
Bookseller Magazine editor-in-chief Neill Denny told the BBC that he’s heard opinions for and against DRM software in the publishing industry.
"Some people think that it is an impediment and has been cracked anyway so we don't need it,” Denny said. “But others say that it continues to restrict piracy.”
After the change takes place, Tor titles will also become available at e-book merchants that only stock DRM-free titles.
Molly Driscoll is a Monitor contributor.
At the age of 71 Wenguang Huang's grandmother began obsessing over the question of her funeral. She wanted a grand send-off, in a coffin, and a burial in the countryside of her childhood. To a Westerner none of this may seem problematic. But in Mao's China, where Huang's family lived, elaborate funerals and burial in a coffin were against the law. Thus began a battle between Maoist and Confucian values that would engulf the entire Huang family for years. Recently I spoke with Huang about his childhood and his new memoir The Little Red Guard in which he recalls – with bittersweet humor – a childhood spent sleeping next to a contraband coffin. Here are some excerpts from our conversation:
Q. Your grandmother started thinking of death at the age of 71. One of the saddest ironies is that your dad – who sacrificed everything to make her hopes about her funeral come true – actually died first. What did your family lose as a result of your dad's focus on this strange mission?
My father’s whole attention was directed toward the question of my grandmother's coffin. A lot of times he really did not have too much time for us. And we were always worrying about saving money [for funeral preparations]. My brother needed help with his studies at school and we never really paid too much attention to that. I wanted to play the violin. And my father always said, "No, we have to save for Grandmother's funeral." And my sister would want to go to see a movie. But my dad was very frugal and would say, "Oh, we have to save for Grandmother's funeral." And he focused so much on the coffin that in a way he neglected my mother.
Q. Yet much later, as an adult, you realized that this obsession of her father's shaped your life in many positive ways as well.
I didn’t realize how much difference the coffin had made in my life until several years ago as I was getting older. I started to realize, no [normal] family was obsessed with a coffin for so long! But during the preparation for the funeral [my father] taught me a lot about Chinese culture. I learned a lot about who are family was, where they came from, how you have to be humble. This group of teachings were totally contrary to what I was learning in school where they were teaching us the Cultural Revolution. They were teaching us, "Be loyal to your friends." Dad always said, "At home you rely on your parents." The way that he educated me, always through this obsession with the coffin, really shaped me a lot. Now each time I do things I can feel his invisible hand. I got lots of good things out of it.
Q. What drove your father? What motivated him?
The Chinese tradition of fealty. Also, he was an orphan and my grandmother totally devoted her life to him. She never got remarried. She was only in her 20s when my grandfather died. She sacrificed herself for the sake of my father. He never got out of this shadow of feeling that he was so indebted to his mother. Everything that he did was to try pay back. It was the traditional, Confucian belief that the son has to pay back what the mother has done for him.
Q. What would you want your dad to know about who you are today?
One of the regrets that I have is that when I was young he always felt like I was trying to be different from him. I tried to be very rebellious. I felt like I was much better educated than he was and I was more I was very arrogant. I want my dad to know the older I get the more I behave like him. He and his teachings shaped many of the decisions that I’m making now and more and more I feel like I’m kind of very proud of dad now. In the old days, I had this strong desire to be different from my dad. I felt like he had this sad life. [He spent his life] working in a factory and planning for his mother’s funeral. I really kind of looked down on him in a way. Now as I get older I wish that he could see that I’m more and more like him now and that I really cherish the things that he did. He was very nice to people, always wanting to help people.
Q. Your grandmother was also a huge figure in your life. If you could talk to her now, what would you want her to know?
I would like her to understand that I am doing a lot for the family. In the old days my grandmother always saw me as somebody who never cared family. I was going out and doing stuff. [Then] when I went back to China I visited her family. I started to know more about our family history and to recognize who I am and to accept who I am and where I come from. When she told us her family stories we always rolled our eyes. We never accepted what she said. When I started to go back I really started to appreciate her devotion and what she did for the family. I think that I’m following her example in a way. I’m starting to be more devoted to my family and to my siblings.
It’s a fusion. If I used percentage points I’d say 60 percent Chinese, 40 percent American. For the first 10 years I was here I was so Americanized. But then in the past 10 years the past started to come back more and more. And the way I act and the way I think is more and more Chinese. The Confucian thinking in me is still very strong. Even the Maoist thinking is still there. I think it’s true with every Chinese. We’ve been taught Communism for years and years. The Communist education seems to have pointed us in the opposite direction. But still, the way we think about things, our childhood memories for example, the movies, the way we look at things, I have to say that the Mao era has a big influence on us.
Q. In China today, are there still people who share your grandmother’s mindset about funerals?
[Today's Chinese] tend to play up the funeral. There are these very huge funerals and people want to be buried in a certain way. It’s part of the new economic power of wealth. Funerals are becoming more and more of a way to show off their wealth. [But they] no longer do the coffin thing. [Because the countryside is being developed so extensively] my grandmother’s [remains] has already been relocated twice and probably will have to be moved again.
Q. In some ways your story is so uniquely Chinese. But on another level – especially when it comes to your feelings about your father – it seems so universal.
I thought that maybe sometime I could write a book about my father. But for years and years I was wondering, "If I tell this story to a Western audience, will they be able to understand?" But I’ve been here for 20 years now. And as I’ve gotten older I’ve realized that many things, many of the feelings are universal. For example, how we deal with our parents. When we’re young we may have a tense relationship with our parents but as we get older we start to understand them more. This story might have happened to happen in China. And sleeping with the coffin would not be very common in the US here. But there is that common theme as to how we deal with our parents. I tried out an excerpt in the Paris Review and I got a lot of e-mail from readers saying, “That reminds me of my childhood.” That encouraged me.
Marjorie Kehe is the Monitor's Books editor.
Might Amazon, just this once, actually be in the right?
The publishing industry’s favorite punching bag du jour has gotten a lot of flack lately over a Justice Department antitrust lawsuit against Apple. As we reported earlier this spring, the DOJ filed a lawsuit against Apple and five publishers, accusing them of colluding to fix e-book prices.
The DOJ has gotten an earful ever since. Book industry advocates have lambasted the government agency for going after struggling book publishers and Amazon’s only real competition, thereby propping up the mega-bookseller’s dominance.
“I feel absolutely befuddled by the lawsuit,” New York Sen. Charles Schumer told the Wall Street Journal. “For the Antitrust Division to step in as the big protector of Amazon doesn't seem to make any sense from an antitrust point of view. Rarely have I seen a suit that so ill serves the interests of the consumer.”
“The irony bites hard,” Authors Guild President Scott Turow wrote in an open letter. “Our government may be on the verge of killing real competition in order to save the appearance of competition.”
It’s time to take a step back.
Is it possible that amidst the deafening uproar over the DOJ’s suit – the protestations, the criticism, the comparisons – we’re missing the point? That, as much as book lovers love to hate Amazon, the online bookseller – and the Justice Department – may be actually be in the right?
That’s what Thomas Catan argues in a lucid, cogent must-read in the Wall Street Journal titled “Experts Say Government Had Little Choice in E-Books Lawsuit.”
At the root of this criticism is a misperception of the antitrust law, writes Catan.
“U.S. antitrust law doesn't seek to protect little companies against big ones, or even struggling ones against successful ones. Companies can grow as large as they want, as long as they do it through lower prices, better service or niftier innovations. Companies can even become monopolies, as long as they don't get there illegally or try to extend their power by unlawfully stifling competition.”
In other words, just because Amazon dominates the book market and drives smaller competitors out of business through its low prices and convenience doesn’t make its actions illegal.
(As Herbert Hovenkamp, a law professor at the University of Iowa, told the Journal, “The goal of antitrust policy is to protect consumer prices. It's not to protect inefficient firms from having to exit the market.”)
What’s more, writes the Journal, “antitrust lawyers scoff at the notion that the Justice Department would refrain from bringing a case if it believes it has solid evidence."
“Price fixing is kind of the first-degree murder of antitrust violations,” Prof. Hovenkamp, told the Journal. “They don't have discretion to just walk away from what appears to be a strong set of facts that, if true, are one of the most central of antitrust violations.”
In fact, the DOJ may already have shown some leniency in bringing a civil, rather than criminal, case against Apple and the five publishers.
Let’s recall what’s at stake here. There are two competing models for distributing books: Amazon’s wholesale model, whereby a publisher sells its goods to a distributor (like Amazon) for a fixed price and the distributor is free to decide the actual price for the public; and Apple’s new agency model, in which publishers set the retail price and the distributer gets a fee (30 percent in the case of Apple).
Despite Sen. Schumer’s comments, Amazon’s pricing system has actually been better for consumers than Apple’s (although it’s not better for publishers, which is why they’re fighting the suit).
When it introduced the Kindle in 2007, Amazon began discounting e-books at its own expense, setting a $9.99 price for new best sellers. By contrast, when Apple launched its iPad in 2010, it shifted the publishing industry to a new system that let publishers control the price for e-books. Under that system, the price of most best sellers rose to $12.99 or $14.99.
“What Amazon does may be harmful to the publishers, but so far it's been very good for consumers,” Spencer Waller, a law professor at Loyola University Chicago, told the Journal.
In this case, the Justice Department may actually be doing consumers a favor.
And as far as the nuts and bolts of the legal suit against Apple, Amazon – at least in this case – appears to be entirely within the bounds of law.
What do you think? Is Amazon morally wrong but legally right?
Husna Haq is a Monitor correspondent.
“If there have ever been people on earth who should have been able to take a deep breath and say. 'Thank God,' we're the people,” said the author of “Gilead” to an audience of about 2,000 at Calvin College's Festival on Faith & Writing. “Why not enjoy it?”
Instead, she said she sees people hunkering down in psychological bunkers, as if they're living in an alien and hostile land. “There's an increasing normalization of fear in this culture,” said Robinson, who has a new collection of essays, “When I Was a Child, I Read Books.”
“This is not the siege of Paris,” Robinson pointed out.
Robinson's speech echoed a certain president who is not generally beloved by conservative Christians: She sees “the accelerating problem of fear” as one that's causing individuals everywhere to lower the bar on what they can accomplish in their lives. “There are all these anxieties we internalize, and we create a smaller model of ourselves around them.”
As for the Great Recession and the current lukewarm recovery, Robinson asked, “Do we never expect to have a bad time? Every generation or so, something goes haywire. It's human history.”
Robinson said she can't figure out when people decided that previous generations' sacrifices and accomplishments should be used to create a “satin cushion that our generation is supposed to be carried on. It's bizarre. Not to mention not particularly admirable.”
But she said she rejects the notion that the United States is in decline or that our culture is “sprouting mushrooms.”
“I can't idealize an earlier generation of youth,” said Robinson, who sits on the faculty of the University of Iowa Writers' Workshop. “These people are wonderful.”
Nor is she opposed to technological advances that some see as putting pressure on publishing. “I love the Internet. If I can find out what 17th century colonial law is in Maryland, I'm a happy woman.”
Robinson, who calls herself a Calvinist by adoption, also rejected the fear-mongering she says certain figures have used to co-opt religion in strong terms. “A great deal of what I see among my students is anxiety that is aroused by the identification of religion with exclusivism …. what I think Jesus might have called Phariseeism.”
For example, there's a segment of the population that really detests liberal college professors that teach at secular universities. “That's me,” said Robinson. As far as any plot to destroy Christianity or patriotism goes, “I did not get the memo, I'll tell you that.”
When an audience member Friday morning pointed out that her speech “could have been ghost-written by Bill Moyers and aired on PBS,” and asked how she could have credibility among Fox News-watching conservative Christians, Robinson said, to audience applause: “I don't recognize any other obligation than to say what is true.”
Her new collection, “When I Was a Child, I Read Books,” is partly drawn from talks she's given to conservative Christian audiences, she said. And she's found that, if she's honest about what she believes, they'll listen.
“I think that's how a Christian conversation should proceed.”
Yvonne Zipp regularly reviews fiction for the Monitor.
A Jewish agnostic might not be the most obvious choice as a keynote speaker at a religious conference at a private Christian college named after John Calvin. But Jonathan Safran Foer was one of five “plenary” speakers at Calvin College's Festival on Faith & Writing in Grand Rapids, Mich., along with Pulitzer Prize winner Marilynne Robinson, Orange Prize winner Chimamanda Ngozi Achidie, Newbery Honor winner Gary D. Schmidt, and activist Shane Claiborne.
In two sessions, April 19 and 20, author Jonathan Safran Foer ranged widely over topics from his love of sculptor Joseph Cornell, why he would be an obstetrician today without his mentor, Joyce Carol Oates; the movie adaptation of “Extremely Loud and Incredibly Close”; and editing the “New American Haggadah.”
Here are a few highlights:
“I'm interested in the kind of religion that makes life harder. I'm not so interested in the comforting kind of religion. I'm interested in a religion that forces me to take stock in myself. To ask the hard questions: 'Who am I really and am I the kind of person I wanted to be?' … Whenever religion is used to have it both ways, that makes me uncomfortable.
"Adam and Eve, Abraham and Isaac – these are the greatest stories ever told – the most important stories in my life. But I do think of them as stories. I don't read Bible literally, or maybe I do: I believe literally in the values spoken. Do I believe Abraham literally took his son Isaac [up on a mountain] to sacrifice him? I don't find that question all that interesting. I do find the undercurrents incredibly interesting and important.”
On the existence of God:
“It's something I continue to think about. I will never come around to idea of an anthropomorphic God.
I'm also uncomfortable with the word God.... I'm agnostic about the answer and I'm agnostic about the question. There's a definition of God that Christopher Hitchens believed in, and a definition of God that the Pope doesn't believe in. If you could put it into words, it wouldn't be God anymore. … I find the process really fulfilling. The endless search and endless wrestling really valuable.”
“I can't imagine praying to God. But I would like to talk about God in a literary way.
What's the best metaphor for God? Is God an author … a character or a reader? Is there a way to think about who God might be?
“It's an ongoing question for me. It's one I think about a lot more now than I used to. I used to dismiss the question. … [But] not in a contemptuous way. That's not how I grew up – I went to Hebrew school twice a week – my family had an immense respect for religion."
On editing the “New American Haggadah,” which came out in March and offers a new translation by Nathan Englander and commentary from Jewish writers including Rebecca Newberger Goldstein and Daniel Handler, aka Lemony Snicket:
“Passover is one of the oldest continually told stories and one of the most widely told stories.... The Haggadah is a user's manual for that night.... There are 7,000 published versions. No book has been revised more than the Haggadah.
[In it, it says that] in every generation, each person has to feel like he himself has to be liberated from Egypt. It's so weird, most people gloss over [the passage]. No other book makes such a strong demand. What kind of book could inspire that really radical leap of empathy?”
“I never wanted to write a novel that was merely read. Or merely liked or appreciated. Ideally, I want the reader to feel complicit in authorship of the book. There's a certain kind of book where reader sits here [points to audience] and the author sits here. I hate those books....”
What he calls the “11th and 12th Commandments” – “Don't ever change,” and “Change”:
“Kids are a great analogy. You want your kids to grow up, and you don't want your kids to grow up. You want your kids to become independent of you, but it's also a parent's worst nightmare: That they won't need you. It's like the real tragedy of parenting.”
“I don't know if I have any interest in preserving silence. I don't know that silence is a very good thing. I think quiet is a very good thing. In my books, silence is not the silence of reflection, serenity, or peace. It's the silence of not being able to communicate. A lot of my writing is about not being able to communicate things in my life.
“When I was young, I thought [writing] was this romantic thing.” Safran Foer went on to say he thought it would be like creating a mountain, by laboring every day to create sentences and “dump off all these sentences into the pile … and everyone would come and see and point to the top of it.
“Instead, I would encounter these holes ... I was [pouring] these sentences into the hole until it was level. Then I would move onto the next hole.
“As I've grown older, I've grown more convinced there's nothing that shouldn't be talked about. If we think we're protecting each other, we're not. … Families pay a huge price by dancing around the subject.”
On having his books turned into movies:
“Would you believe me if I said no?” [When asked if he'd seen the movie versions of his books] “Of course I've seen them! I thought that 'Extremely Loud and Incredibly Close' was a really moving movie. The last third is really powerful. Do I regret that some material got left out? It would be really miserly and inappropriate to go into that. I gave it away. I didn't give it away [chuckles from audience] but I gave away my right to complain. To split hairs is not in the spirit of what was done.”
Yvonne Zipp regularly reviews fiction for the Monitor.
It’s the Super Bowl of literary athletes, the Mardi Gras of bibliophilic partiers, Christmas for book-lovers across the world.
In the US, 25,000 volunteers will distribute 500,000 free paperback books in some 5,800 communities across the country through book-centered events and community drop-offs. In Britain, 20,000 volunteers will distribute 1 million books. Ireland and Germany are celebrating, too.
Sponsored by a coalition of publishers, booksellers, and librarians, World Book Night is modeled after a British program that began last year.
The point, says World Book Night director Carl Lennertz, “is to get good books in the hands of people who are underserved because of income or location or other reasons.”
Though there is no public registry of who’s giving away books where, participants will be handing out books in schools, prisons, and homeless shelters, some of which will be posted on Facebook and Pinterest.
“It’s also about giving,” he told USA Today. “There may not be anything that says, ‘I care about someone else, friend or stranger,’ more than handing them a book that you personally love and want to share.”
In the US, a committee of librarians, publishers, and booksellers selected 30 titles to distribute, including novels like Khaled Hosseini’s “The Kite Runner,” memoirs like Patti Smith’s “Just Kids,” non-fiction like Dave Eggers’ “Zeitoun,” and young adult hits like Suzanne Collins’ “The Hunger Games.”
April 23 is the UNESCO International Day of the Book, chosen in honor of Shakespeare and Cervantes, both of whom died on April 23, 1616. World Book Night honors these literary titans and legions of others.
(An interesting aside: At yet another book industry jab at Amazon, USA Today reports most of the publishing industry, including Barnes & Noble and Books-A-Million, is involved in underwriting World Book Night. The one exception? Amazon. It wasn’t asked to participate because “the philosophy behind World Book Night has been about physical books in physical places, handed out person to person,” said Lennertz.)
To find out more about World Book Night and how you can participate, visit www.us.worldbooknight.org.
Happy World Book Night!
Husna Haq is a Monitor correspondent.
Festival of Faith and Writing: the conference that brought John Updike, Salman Rushdie to western Michigan
Unless you write Amish romances, announcing one's faith at a literary conference usually isn't going to win a novelist more fans.
Or, as Tony Earley, author of the beloved novels “Jim the Boy” and “The Blue Star,” puts it: “It's not necessarily a good career move to go out and proselytize."
The 2012 conference, which ran from Thursday to Saturday, featured 64 speakers, including novelists such as Earley; Jonathan Safran Foer, whose novel “Extremely Loud and Incredibly Close” was recently turned into a Oscar-winning movie; Marilynne Robinson, whose novel, “Gilead” won the Pulitzer Prize and whose sequel, “Home,” won the Orange Prize; and Nigerian author Chimimanda Ngoze Adichie, whose “Half of a Yellow Sun,” was also an Orange Prize winner. This year the festival drew more than 1,900 participants.
Luis Alberto Urrea, whose new novel, “Queen of America,” is a sequel to his acclaimed “The Hummingbird's Daughter,” gave the most dynamic talk I heard at the festival, an hour-long tour de force about faith, prejudice, and the border, starring his spiritual adviser, an 86-year-old Baptist preacher with, Urrea said, the disposition of an Old Testament prophet.
"This is a festival made for me. I don't often get to talk about things like faith," said Urrea. Where he teaches, at the University of Illinois, Chicago, "God isn't on the docket very much."
But, Urrea insists, a discussion of faith puts him squarely in his native territory. "I'm often mistaken for a political writer," said Urrea, since he writes about the Mexican-American border. "I'm a theological writer. I'm interested in the eternal soul. That's what I write about. To me, writing is prayer. I pray all the time."
“Everybody has a faith in something,” says attendee Deborah Schakel, a retired teacher of theater and American literature who stages a one-woman show about Beatrix Potter for elementary schoolchildren. Schakel, a resident of the Grand Rapids area, says she first came years ago to hear Madeleine L'Engle speak. “I don't come specifically for the faith, but this conference brings in such spectacular writers, and all of them have a reverence for life. Let's call it that.”
Earley, who is currently working on a collection of short stories, says that the festival, his first, was larger than he expected, noting that “among the literary community, [faith] has a slight whiff of hipness it didn't have 10, 12 years ago.”
“Once a writer's books wind up only in Christian bookstores, they're no longer engaged with the world,” says Earley. “It's a closed ecosystem.”
But The Bible, he points out, “is such a big part of our cultural patrimony, particularly of literature.”
As perhaps anecdotal evidence of that “whiff of hipness,” attendees had traveled from as far away as Washington State.
Nicole Sheets, a blogger and professor at the University of Washington, was at Robinson's address Friday night with her friend, Andrea Dilley, author of the 2012 memoir, “Faith and Other Flat Tires,” about moving to America after a childhood in Kenya as the daughter of Quaker missionaries, who had come from Austin, Texas.
“I like the name of it: the faith and writing. It resonated. Faith is so much part of my writing. I was touched that they invited me, as a Muslim. I thought that was really good of them,” said Aboulela, whose newest novel is “Lyrics Alley,” in an interview with the Monitor. “I've also welcomed the opportunity to talk about faith, because I don't usually do that.”
“Now, I found myself praying in a place that had stopped praying,” said Aboulela, who has a master's degree in statistics. “One day … I tried to write a letter to the editor. Fiction came out instead.”
Her first novel, “The Translator,” is a romance inspired by her favorite novel, “Jane Eyre,” in which a young Muslim widow and her Scottish boss are separated by religion.
Aboulela said she considers “Jane Eyre,” usually seen as a feminist novel today, a Christian book. If Mr. Rochester had been a Muslim, she explained to chuckles, the subject of bigamy would never have come up. “As a Muslim, there is no problem. There is no plot.”
Yvonne Zipp regularly reviews fiction for the Monitor.
Considering its rampant crime and long history of racial strife, South Africa may sound like a place that's better for leaving than living.
But author Jassy Mackenzie has chosen to stay in the country she loves. The same goes for her fictional creation, a private eye named Jade de Jong who's sexy yet unafraid to hurt others (or worse) if necessary.
Mackenzie's three de Jong novels are a treat for lovers of exciting thrillers and gritty mysteries. De Jong is brittle but likeable, unlucky in love and quick – wicked quick – with a gun.
Mackenzie's plots are fast-moving and believable, full of vivid characters like South Africa itself. Her novels – including the newest, "The Fallen" – depict an overcrowded country full of rampant corruption and the most vicious forms of violence imaginable.
De Jong finds herself battling human traffickers, cutthroat developers and hired killers. She doesn't have clean hands herself, a fact that could come to haunt her on the job and at home. Still, she boasts a basic sense of integrity and a soul that's not yet withered by the world around her.
In an interview via Skype from South Africa, Mackenzie talked about the hidden gentle side of South Africa, the detectives who influenced her (including one Nancy Drew), and the reasons her books are a bigger hit in the US than in her own country.
Q: For people who haven't read your books, what can you tell us about your main character, private investigator Jade de Jong?
A: Although she'd been away for 10 years in the first book, she is quintessentially a South African. She has a deep love for South Africa in spite of all its failings and in spite of the crime; she loves the diversity and the people.
The crime in South Africa facilitates Jade in a lot of her work. It allows her more carte blanche than she'd have in a country that had fewer problems.
Q: South Africa is a major character itself in your books. To an outsider who's never been there, it comes across as an extremely violent place in which the rich live hidden behind security guards and electrified fences. How do you wrestle with your depiction of the country where you still live?
It's a case of being truthful and having an eye for detail.
I know that some readers initially see only the fact that it is a very violent country. You'd struggle to find anywhere else that has the same number of extremes because it's also a place that has an incredible heart to it.
There's an amazing generosity and wonderful spirit in the people who are here in South Africa, an unbelievable kindness and friendship that you can be shown by a complete stranger who may actually not even have a job.
It shows its faces and facets in so many ways, and yet you have this violent side. Then there's that other extreme where you're tucked away behind high electronic fences, and you're still quaking that armed gangs will break in.
Q: Which mystery and detective writers have influenced you?
A: When I was beginning to read detective fiction and thrillers, the characters who really stood out were invariably the female ones.
I was impressed by these role models of strong and able women, who were sometimes quite brutal and verging on psychopathic.
There were the Modesty Blaise books, written by Peter O'Donnell. [The British spy-thriller books first appeared in the 1960s and were inspired by a comic-book character.] The character Modesty Blaise is the most complex, amazing character. She intellectualizes all her decisions and has this incredible sense of humor. I remember reading these wide-eyed as a pre-teen.
As an adult, my whole love for thriller writing has been thanks to American thriller writers. Not necessarily those who write female leads, although I've subsequently discovered Tess Gerritsen. My earlier favorites were Lee Child and Jeffrey Deaver.
More than the characters, it was just the whole way that those books were paced, the incredible sense of place and the amazing way in which they managed to work in these unbelievable plot twists.
She was hugely popular and a fantastic private investigator. I really enjoyed her and loved her individuality, the way that she took matters into her own hands.
Q: Your books are cinematic, full of vivid plot twists and movie-style violence. Will they be made into movies or TV shows some day?
A: I think every writer secretly lives in anticipation of that phone call. It's something that I would love. But like every other writer, I have to be patient.
Q: How do your books do there in South Africa?
They do better in the States than South Africa.
We have a lot of challenges here when it comes to local fiction.
In the apartheid days, fiction was very limited, and crime fiction was just about non-existent. It's hard to write about crime when the entire system you're writing about is one big crime.
Also, crime readers here can be distrustful of new authors, and it's hard to persuade a South African reader to read a South African writer when their books are sometimes not even displayed on the new book shelves.
Q: Your new Jade de Jong book is called "The Fallen." What happens in it?
Jade finds her romantic dreams horribly crushed on a trip to St. Lucia. She actually has an ulterior motive to go to St. Lucia, which is very close to a town where her mother died. She is on a quest to find out more about her mother, and she wants to see where her mother is buried. Of course, everything goes wrong, and there's a murder where they're staying.
Q: What about your next book?
At the moment, my next book, "Pale Horses," is in the editing process, and I'm excited about it. It takes the story to the new downtown of Johannesburg, and its reputation has the new high-rise capital of Africa and the richest square mile in Africa. It's about the wealth and the complications.
For more from women mystery writers who have invented fascinating female protagonists, check my recent interviews with authors Nevada Barr (the American creator of park ranger Anna Piegon) and Denise Mina (the Scottish creator of police detective Alex Morrow) here and here.
Randy Dotinga is a Monitor contributor.
A children’s book that has yet to be released has already become controversial for its pro-veganism message.
“Vegan Is Love: Having Heart and Taking Action” written and illustrated by Ruby Roth, discusses testing on animals, farming practices and other issues. The book, which is the second for Roth after her first title “That’s Why We Don’t Eat Animals,” will be released April 24.
Dietician Nicole German wrote online that she thinks the book’s tactics would simply frighten a child into changing their dietary habits.
“The main problem I have with this book is that children are impressionable, and this is too sensitive of a topic to have a child read this book,” German wrote. “It could easily scare a young child into eating vegan, and, without proper guidance, that child could become malnourished.”
Keith Ayoob, associate professor of pediatrics at Albert Einstein College of Medicine in the Bronx, told ABC News that he believes children should have as many options for animal and plant food as possible when they're young so they can make their own dietary choices.
“Any time you limit the variety of healthy foods, you chance limiting the nutrients they get," Ayoob said. "Over time, that can catch up with them."
However, others say they think the book could bring what they believe is much-needed awareness to children about where their food and other everyday items are coming from.
“Adults are too willing to turn a blind eye to the way our animal-based diets are achieved,” Dr. David Katz, director of the Yale Prevention Center, told ABC. “Adults can make the conscious choice not to look there, to help protect a lifetime of dietary preferences. Kids are more malleable and impressionable. Maybe childhood is the best time to create awareness and change behavior accordingly.”
Roth, who is vegan along with her two children, told ABC that it was her wish to reach future decision-makers that prompted her to put her message in children’s book format.
“I decided to write a book for a new generation who will need to think, eat, and treat the environment differently if we are to solve the most looming health and environmental issues,” the author said. “With vegan choices, we can affect every major industry and reach every corner of the world.”
Molly Driscoll is a Monitor contributor.