Skip to: Content
Skip to: Site Navigation
Skip to: Search

  • Advertisements

Tales from America's past

A roundup review of four new fictional takes on the 18th and 19th centuries, from the French and Indian War to the trial of Henry Ward Beecher in 1872.

By Yvonne ZippCorrespondent of The Christian Science Monitor / March 7, 2008

Joanne Ciccarello – staff

Enlarge

The French and Indian War, which swept through the colonies in the mid-18th century, usually gets only a couple pages in high school textbooks. But in Eliot Pattison's new book, "The Bone Rattler," that partially-forgotten conflict is used as a backdrop for a murder mystery of epic proportions.

Skip to next paragraph

And Patterson isn't the only one dispensing dressed-up history lessons. From the Revolutionary War to the Underground Railroad, here's a look at four fresh, fictional resurrections of America's past.

Harriet and Isabella, by Patricia O'Brien (Touchstone)

It would be a juicy scandal today: the most prominent preacher in America accused of adultery with a parishioner. In 1872, the trial of Henry Ward Beecher was a sensation, eaten up with glee by everyone except the traumatized principals. Those included the Beecher siblings, including writer Harriet Beecher Stowe. She and all but one of the Beechers circled the wagons, citing loyalty above all. That outlier, the suffragist Isabella Beecher Hooker, pleaded with Henry to confess and beg forgiveness, and the rest of the family cut her off for her betrayal. In 1887, Henry lies dying and Harriet and Isabella haven't spoken in 15 years. Stowe is the only one generally remembered today, but the Beechers were a family of preachers, abolitionists, writers, and activists, and O'Brien does a fantastic job of showing just how remarkable they were. Henry never quite comes to life the way his sisters do, and occasionally the "do you remembers" seem forced. But overall, the novel is a deeply intelligent and emotionally generous look at a trial that riveted a nation and upended a family. Grade: A-

Johnny One-Eye: A Tale of the American Revolution, by Jerome Charyn (W.W. Norton)

"Johnny One-Eye" and "Johnny Tremain" don't have much in common beyond the Revolutionary War. The hero of the former is a brothel-raised double agent who lost an eye fighting under Benedict Arnold. And valiant little Tremain would run for his life if faced with the precarious, redolent swamp that is wartime New York. To call John Stocking a spy is to give him too much credit. The spying is actually done by the prostitutes Johnny lives with, such as Madame Gertrude, an old flame of George Washington, and Clara, an "octoroon" whom Johnny worships. Johnny primarily exists to meet the players in the Revolutionary War, from "the farmer in chief" to a British general's mistress, all of whom instantly want to make a pet of him. (This is helpful because our lad gets into more trouble than Penelope of "Perils" fame – from being tarred-and-feathered to languishing on a truly vile prison hulk.) Charyn, a well-regarded author of more than 30 novels, is clearly smitten with 18th century New York. I should note that picaresques are not my favorite fictional form, and Charyn's fans will be delighted with the novel's abundantly clever set-pieces. But the plot, which tries to wrap its long arms around 1775 to 1783, gets downright confusing. The burning of New York, Valley Forge, and Yorktown whip by in a handful of pages, and Johnny's loyalties change so capriciously it's hard to remember who he's working for at any given moment. Grade: B-

Permissions