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Youth orchestra of Venezuela's poor wows the world
Venezuela's Simón Bolívar Youth Orchestra arrives next week at the New England Conservatory. What drives this revolutionary group of musicians?
By Ami albernaz | Correspondent of The Christian Science Monitorfrom the November 2, 2007 edition
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The studios and rehearsal halls of Boston's New England Conservatory are far from the nucleos scattered throughout Venezuela – some of them converted factories or prisons where underprivileged children as young as 2 learn Beethoven and Brahms.
So the Conservatory's longstanding relationship with the Venezuelan music system might seem unlikely, until you look beneath the surface.
"Venezuela is a land of music, a land of inspiration," says Mark Churchill, dean of Preparatory and Continuing Education at the school. "The Venezuelans are striving for the same values in classical music as are people at the conservatory. It's a natural joining of forces."
For the past year, Mr. Churchill has been preparing for next week's 2-1/2 day visit from the Simón Bolívar Youth Orchestra, the crowning jewel of the Venezuelan system (or El Sistema, as it is commonly called). The 200-member orchestra's dazzling reputation has preceded its first major tour of the United States, which includes performances tonight at the Walt Disney Concert Hall in Los Angeles and at New York's Carnegie Hall on Nov. 12.
No less an illustrious figure than Sir Simon Rattle of the Berlin Philharmonic has called the Venezuelan system the most important thing happening anywhere for the future of classical music, and its wild-haired director, Gustavo Dudamel – who was tapped for the directorship of the Los Angeles Philharmonic starting in 2009 – the most gifted young conductor he has come across.
The SBYO's arrival in Boston is a landmark event both for the young orchestra itself, and for the NEC, which will benefit from an influx of raw musical energy. "You just don't know what [the orchestra] is about until you come face to face with it," says Churchill.
Churchill encountered the group in 2000 when he was looking to start a hemisphere-wide youth orchestra. He found a natural partner in José Antonio Abreu, the organist, economist, and politician who founded El Sistema in 1975 out of a desire to bring classical music to the country's poorest children. From the 11 children who attended the first meeting in a Caracas parking garage to gradually growing numbers at subsequent rehearsals, the system today boasts some 250,000 members, who study in nearly 250 nucleos and play in scores of orchestras organized by members' ages. Besides teaching its young members music, the program has also served as a family for many, giving them hope and a sense of accomplishment.
"Very early on, the members are equipped with excellent values and a feeling of accomplishment and solidarity by being so extraordinarily involved in music," says Igor Lanz, executive director of the foundation that oversees El Sistema. "They are prepared to be better citizens for society."
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