Wanted at Africa's biggest film festival: Hollywood's black stars

While Jamie Foxx and Morgan Freeman bask in the glow of their Oscar gold, filmmakers a world away from Hollywood are trying to figure out how to get their attention.

This week, Africa is holding its version of the Cannes Film Festival here in the capital of Burkina Faso, one of the world's poorest countries. Le Festival Panafricain du Cinéma de Ouagadougou (FESPACO) screens nearly 200 films, many of them made on budgets no more than the cost of the Versace dress that Halle Berry wore on Sunday. FESPACO is the biggest and most prestigious film festival in Africa, but it faces a problem moviemakers here would like to solve: a distinct lack of participation from African-Americans in Hollywood.

At a time of unprecedented success by African-Americans in Tinsel Town - five of the 20 Academy Award acting nominations went to black actors this year, a fact noted by many festival participants - the ultimate goal here is "fostering some kind of exchange between African-Americans and Africans," according to FESPACO's chief executive, Baba Hama.

Kevin Arkadie, a writer- producer of prime-time network shows such as "Soul Food" and "NYPD Blue," is in Ouagadougou to work on a documentary about FESPACO. He hopes it will reach a US audience via the Sundance Film Festival or a cable-TV deal. "We are trying with film to bridge what we feel is a huge gap, wider than the Atlantic Ocean," says Mr. Arkadie.

Actor Danny Glover, best known for his work in the "Lethal Weapon" series and "The Color Purple," is on the jury for this year's festival, which runs until Saturday. He and others here are banding together to boost the profile of FESPACO's Paul Robeson Award, for the best independent film from the African diaspora, blacks living outside the continent.

"For me as a man of African descent, it's about trying preserve memory. Through films, we understand collectively who we are," he says. Mr. Glover has made four films in Africa, has close relationships with African directors and actors, and agreed to be on FESPACO's jury because, "When it comes to Africa, I've never said 'no.'"

Many African filmmakers say that their stories could resonate with African-Americans, though that remains an open question. Black Americans have a complex relationship with Africa, says Arkadie, and won't necessarily be interested in a story simply because it comes from the continent.

He says that African artists need to "Americanize" their work somewhat by improving technical quality and appealing to the sensibilities of a sophisticated audience. "I don't think you have to compromise your story to get something that might travel a little further," he says.

While some African filmmakers bristle at what they see as a patronizing and arrogant attitude from people in Hollywood, they know that funders get to call the shots. For instance, the South African film "Drum" - a story about apartheid-era journalist Henry Nxumalo, competing here at FESPACO - got US funding on the condition that an American actor, ultimately Taye Diggs, be cast in the lead role.

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