Focus Features/AP
The documentary “Roadrunner: A Film About Anthony Bourdain” explores the life of the late chef and traveler.

‘Roadrunner’ brings Chef Bourdain – and his wanderlust – to the big screen

The subject of the new Morgan Neville documentary, “Roadrunner: A Film About Anthony Bourdain,” was a singular character for our time: A celebrity chef and author, Anthony Bourdain became the globally renowned host of television shows, such as “A Cook’s Tour” and “Parts Unknown,” that focused on all manner of cuisine and travel. He was fearless in his tastes: Eating a cobra heart in a Saigon cafe was all in a day’s work.

Visiting practically every corner of the planet, logging many hundreds of thousands of miles, Bourdain was an all-around adventurer, our surrogate gallivanter. Companionable yet edgy, he had the charisma of a movie star and seemed to enjoy his mission to the utmost. When he took his own life in 2018, the shock waves were profound.

Told mostly chronologically, “Roadrunner” gets going around 1999, when Bourdain – having served time as a dishwasher and line cook before becoming executive chef at a tony New York brasserie – wrote an unputdownable tell-all piece for The New Yorker that led to his runaway bestseller, “Kitchen Confidential: Adventures in the Culinary Underbelly.” By 2002 he was a fixture on TV, first for the Food Network, then the Travel Channel, and, finally, CNN.

Why We Wrote This

Anthony Bourdain helped others see the world as he did. What motivated him? A new film sheds light on the late chef, who brought the public on all manner of adventures with his popular books and TV shows.

Over time, the shows became less about what he ate and more about the world as he saw it – everywhere from Congo to the war zone of Beirut – in all its fathomless mystery and awe. The opposite of a typical tourist, he especially connected with the downtrodden, never condescending to them as “exotic.” He was an advocate for social justice. At one point in the film he says, “I’m not a journalist. I’m not an educator. If anything, I like going to a place, picking one thing, and being completely wrong about it.”

Neville (“20 Feet From Stardom,” “Won’t You Be My Neighbor?”) had access to over 100,000 hours of video of Bourdain, an avid and intimate chronicler of his exploits on and off camera. (His language in this R-rated movie is often saltier than his meals.) Added to this are extensive interviews with many of his friends and colleagues, and his two ex-wives. 

As a result, the film has an almost voyeuristic comprehensiveness. There’s even a scene near the end with Bourdain seeing a psychiatrist. He was for a time, in his youth, addicted to heroin; he says he kicked the habit when he looked into the mirror and saw “someone worth saving.” But it’s clear from the footage and the filmed commentaries that he lived in a constant state of frenzied extremes. He rejected normalcy and yet he craved it. During his second marriage, when he became a father to a doting daughter, we see him grilling burgers in the backyard while professing that “I’m never happier than when I’m a TV dad.” And yet for most of his public career, he was willingly on the road for around 250 days a year.

The director is smart enough and scrupulous enough to avoid any amateur psychologizing in this film. He implicitly dispels the notion that Bourdain’s suicide was in any way something to be romanticized, or that it was the inevitable result of achieving his wildest dreams. Although Neville obviously had the cooperation of many in Bourdain’s inner circle, the film never feels authorized or hagiographic. He allows for Bourdain’s inner darkness.

Neville isn’t trying to “solve” Bourdain, and so, in his own way, he proves himself as open to the vast complexities of experience as his subject was. Bourdain was a larger-than-life figure who, for whatever manifold reasons, was finally pulled down by his own life. For me, his legacy lives on here in those moments when he gasps at the sight of some far-flung landscape or enters ardently into a street scene thronged with humanity. He looks like a man lit up by his own rapture.

Peter Rainer is the Monitor’s film critic. “Roadrunner: A Film About Anthony Bourdain” is available in theaters on July 16. It will air on CNN and stream on HBO Max later in 2021. It is rated R for language throughout. 

If you are in crisis, please call the National Suicide Prevention Lifeline at 1-800-273-TALK (8255).

You've read  of  free articles. Subscribe to continue.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to

QR Code to ‘Roadrunner’ brings Chef Bourdain – and his wanderlust – to the big screen
Read this article in
QR Code to Subscription page
Start your subscription today