Welcome to Luna Luna, the carnival that time forgot
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Ali Martin Staff writer
| Los Angeles
Whimsy is everywhere at Luna Luna: Forgotten Fantasy.
The fact that so many of this art carnival’s “rides” are only for gazing upon hardly lessens the joy.
Why We Wrote This
A story focused onAmusement parks offer an escape from the doldrums of everyday life. But rather than thrills, this art carnival peddles whimsy and joy.
“You just smile,” says Gina Gallo, an animated-film producer visiting the exhibit. “It’s eye candy for the soul.”
The fanciful pieces, on display this spring in Los Angeles, have roots in Hamburg, Germany, where Austrian multimedia artist André Heller in the 1980s summoned a who’s who of visionaries to think up rides, music, and immersive experiences for an amusement park. Salvador Dalí added a domed, mirrored room; David Hockney created his version of a forest; Jean-Michel Basquiat dreamed up a Ferris wheel.
After its Hamburg run, the park was packed up and put away in storage, where it languished for decades. Rapper Drake helped revive it with a $100 million investment from his entertainment company. Every detail of every structure invites discovery by the exhibit’s visitors even if no one can climb aboard.
“It’s magical,” Mimi Maynard says.
Expand this story to experience the full photo essay.
Whimsy is everywhere at the art carnival Luna Luna: Forgotten Fantasy. Don’t try to hop on the carousel, though. That’s designed
by Keith Haring, one of the 20th century’s most celebrated artists.
The fact that so many works at Luna Luna, which runs through this spring in Los Angeles, are only for gazing upon hardly lessens the joy.
“You just smile,” says Gina Gallo, an animated-film producer visiting the exhibit. “It’s eye candy for the soul.”
Why We Wrote This
A story focused onAmusement parks offer an escape from the doldrums of everyday life. But rather than thrills, this art carnival peddles whimsy and joy.
The fanciful pieces have roots in Hamburg, Germany, where Austrian multimedia artist André Heller in the 1980s summoned a who’s who of visionaries to think up rides, music, and immersive experiences for an amusement park. Salvador Dalí added a domed, mirrored room; David Hockney created his version of a forest; Jean-Michel Basquiat dreamed up a Ferris wheel. And music by Philip Glass filled a pavilion by Roy Lichtenstein.
After its Hamburg run, the park was packed up and put away in storage, where it languished for decades. It took rapper Drake to help revive it – with a $100 million investment from his entertainment company. Every detail of every structure invites discovery.
The attractions beckon Mimi Maynard, who runs a production company with Ms. Gallo and a third partner. She says she wishes she could climb aboard.
“It’s magical,” she says.
