'Poking a Dead Frog': 10 thoughts on comedy from some of its best writers

Author Mike Sacks talked with some of the star creators of contemporary stand-up, film, and television comedy about the current state of the genre as well as advice they'd give to those starting out in the field.

4. Story versus jokes

AP
'Parks and Recreation' stars Amy Poehler.

Mike Schur, "Parks and Recreation" and "Brooklyn Nine-Nine" co-creator and writer for such shows as "Saturday Night Live" and "The Office," says he believes that a successful TV show can't just be a series of one-liners. "Good stories beat good jokes every day of the week and twice on Sundays," he said. "It's also very obviously the case that jokes are fleeting, but good characters and emotional stories are forever. TV is about presenting an inviting world in which audiences want to invest their time, regularly, over many years. Jokes help because, you know, they make people happy. But what makes people love a show, and get attached to it, is great characters having great adventures."

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Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.

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