Mary Austin on mountain streams
Mary Austin looked at America's Western desert, saw it brimming with beauty and life, and wrote a first book -- ``The Land of Little Rain'' (1903) -- that has kept a secure spot in environmental literature. One of its 14 sketches is ``Water Borders,'' from which this passage is taken, courtesy of Ballantine Books.
The origin of mountain streams is like the origin of tears, patent to the understanding but mysterious to the sense. They are always at it, but one so seldom catches them in the act. Here in the valley there is no cessation of waters even in the season when the niggard frost gives them scant leave to run. They make the most of their midday hour, and tinkle all night thinly under the ice. An ear laid to the snow catches a muffled hint of their eternal busyness fifteen or twenty feet under the caon drifts, and long before any appreciable spring thaw, the sagging edges of the snow bridges mark out the place of their running. One who ventures to look for it finds the immediate source of the spring freshets -- all the hill fronts furrowed with the reek of melting drifts, all the gravelly flats in a swirl of waters. But later, in June or July, when the camping season begins, there runs the stream away full and singing, with no visible reinforcement other than an icy trickle from some high, belated clot of snow. Oftenest the stream drops bodily from the bleak bowl of some alpine lake; sometimes breaks out of a hillside as a spring where the ear can trace it under the rubble of loose stones to the neighborhood of some blind pool. But that leaves the lakes to be accounted for.
The lake is the eye of the mountain, jade green, placid, unwinking, also unfathomable. Whatever goes on under the high and stony brows is guessed at. It is always a favorite local tradition that one or another of the blind lakes is bottomless. Often they lie in such deep cairns of broken boulders that one never gets quite to them, or gets away unhurt. One such drops below the plunging slope that the Kearsarge trail winds over, perilously, nearing the pass. It lies still and wickedly green in its sharp-lipped cup, and the guides of that region love to tell of the packs and pack animals it has swallowed up.
But the lakes of Oppapago are perhaps not so deep, less green than gray, and better befriended. The ousel haunts them, while still hang about their coasts the thin undercut drifts that never quite leave the high altitudes. In and out of the bluish ice caves he flits and sings, and his singing heard from above is sweet and uncanny like the Nixie's chord. One finds butterflies, too, about these high, sharp regions which might be called desolate, but will not by me who love them. This is above timber-line but not too high for comforting by succulent small herbs and golden tufted grass. A granite mountain does not crumble with alacrity, but once resolved to soil makes the best of it.
