Tunisia attack: Why do terrorists target museums?

In Tunisia, militants targeted the Bardo museum, killing 20 foreign tourists Wednesday. Why do terrorists target museums  – and are US museums prepared?

(AP Photo/Ali Ben Salah)
Rescue workers evacuate children, left, and adults after gunmen opened fire at the Bardo museum in Tunisia's capital, Wednesday, March 18, 2015 in Tunis. Authorities say scores of people are dead after an attack on a major museum in the Tunisian capital, and some of the gunmen may have escaped.

From the Boston Marathon bombing in 2013, to the London Subway bombing in 2005, to Nairobi shopping mall attack in 2013, and the Mumbai luxury hotel attacks in 2008, extremists have long targeted what's become known as soft targets.

In the latest example in Tunisia, militants targeted the Bardo museum, where 20 foreign tourists visiting the Tunis museum were killed by gunmen Wednesday. Security forces shot and killed the two gunmen, whose affiliation and motive is not yet clear.

On Thursday, Tunisian authorities arrested four people in connection with the attack, the first in Tunisia to kill foreigners since 2002. It is the first attack in the country’s capital, which has been struggling to attract tourists and foreign investors since its 2011 revolution.

The Tunisia attacks have already reverberated in the US, where authorities, fearful of a copycat attack, are reportedly tightening security at some of the country's most popular museums.

"My concern would be that an individual who is becoming radicalized in their basement is watching a video on the Internet of an attack and decides that they want to replicate it," John Cohen, a former counterterrorism official, told ABC News.

According to the news network, extra police have already been assigned to New York's popular museums in a direct response to the Bardo museum attack in Tunisia, and more museums may follow suit.

"I'd call this a rather loud wake-up call for major museums around the world," Peter Herdrich, vice chairman of The Antiquities Coalition, an archaeological advocacy group, told ABC.

The Bardo museum massacre is the latest in a series of terrorist attacks on cultural institutions that represents a years-long shift by militants toward soft targets.

In the years since terrorists struck airliners, the World Trade Center, and the Pentagon in the September 11, 2001 attacks, extremists have turned their focus to easier, civilian-centered sites such as hotels, shopping malls, sporting events, cruise ships – and museums.

Why the shift to soft targets?

For starters, they require significantly less planning and are harder to detect and disrupt, especially in a post-9/11 era of beefed up security.

These types of attacks are also squarely aimed at disrupting a nation's tourism and economy.

In Tunisia, where tourism accounts for 7 percent of gross domestic product, the economy relies heavily on its tourism industry, which it worked hard to regain following its 2011 revolution. Already, since the attack took place, the local stock exchange dropped nearly 2.5 percent, two German tour operators said they were canceling trips to Tunis, and Italy's Costa Cruises, a unit of Carnival Corp, said it had canceled stops in Tunisia.

And so-called soft targets like the Bardo museum also represent important symbolic, cultural treasures.

Housed in a 19th century palace next to Tunisia's parliament, the Bardo museum has been called a "jewel of Tunisian heritage," with its exhibits showcasing the country's art, culture, and history.

"It's the kind of attraction that Tunisia is promoting in an effort to diversify tourism beyond package trips to resort hotels," reported the Monitor's John Thorne, from Tunis. "For many here, it's a proud symbol of a three-thousand year heritage."

“I felt as if the Vatican or Mecca had been attacked,” Taher Ghalia, who oversaw the Bardo’s renovation and now serves as Museum's Director at Tunisia’s state heritage institute, told the Monitor, calling it “a sanctuary of culture.”

You've read  of  free articles. Subscribe to continue.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.

QR Code to Tunisia attack: Why do terrorists target museums?
Read this article in
QR Code to Subscription page
Start your subscription today