Macedonia goes neo-classical – or is it just going kitsch?

Some say Macedonia's 'branding' blitz, which has sown the country with statues and colonnades, alienates its Albanian population by glossing over their role in its history.

Ognen Teofilovski/Reuters
A worker cleans the monument of Alexander the Great on his horse Bucephalus in Skopje's central city square in June 2011. The bronze installation, measuring 41 feet high and standing on a 32-foot-tall pedestal, is part of 'Skopje 2014,' a cultural project to upgrade Macedonia's capital.

Walking along the bank of the River Vardar, Sashko Nikoleski points to some of the scores of new statues and neoclassical buildings that are now crammed into the Macedonian capital.

“I love these new statues. It’s our history and heritage,” he says. 

Since 2010, the small republic of Macedonia, population 2.1 million, has been busy working on a redevelopment project that is literally remaking the heart of its capital. The plan is to turn the city from a forgotten corner of Europe into a cultural center that harks back to the glory days of Alexander the Great.

Over the last four years, towering new statues and imposing civic and governmental buildings have gone up, many featuring huge colonnades and other neoclassical touches. Center stage goes to a 72-feet-high statue of Alexander the Great, encircled by warriors and a fountain that performs a nightly light show. Across the Vardar, a statue of Philip of Macedonia, arm raised, stares back across the river. A €12 million ($16 million) Ferris wheel, reminiscent of the London Eye, is due to follow. 

The project, named Skopje 2014 and set to be completed later this year, has been controversial from the start. Greece believes its northern neighbor is trying to usurp its history. In Macedonia, many view the project's aesthetic as kitsch and wasteful in a country where 30 percent of people live below the poverty line. And perhaps most troubling of all, Macedonia's ethnic Albanian population feels their contribution to Macedonian history is being brushed aside.

“Skopje 2014 is very divisive on ethnic and nationalistic lines, but also among most Macedonians,” says Saso Ordanoski, a political analyst and professor at the South East European University in Skopje. “There is a whole complexity to our nation identity, and this project is part of a populist kind of dream of Macedonia being one of the oldest nations.”

What's in a name?

Since gaining independence in 1991, Macedonia has struggled with its identity, right down to its choice of names. Greece has long claimed the name Macedonia as its own, referring to an area of northern Greece. So the country is officially the Former Yugoslav Republic of Macedonia (FYROM).

Some have seen Skopje 2014 as a way to confound Greece, as well as to try to bring more attention and tourists to the country by linking it strongly to Alexander the Great and other ancient warriors.

But Macedonia's myth-building may have a downside. “The feared consequence of Skopje 2014 is that its product will render ‘Macedonia‘ a negative brand, at best recognized as kitsch, at worst recognized as essentially inauthentic and counterfeit," wrote University of Virginia anthropologist Andrew Graan in a recent report

Another major concern is cost: While officials say the budget is €200 million ($267 million), critics like Mr. Ordanoski claim that overall costs are likely to exceed €500 million ($668 million).

Ethnic tensions

The project has also contributed to simmering tensions between the Macedonian and ethnic Albanian populations. Last December, ethnic Albanians damaged a recently completed statue of Czar Dusan, an medieval ruler who Albanians see an oppressor. Many ethnic Albanians, who make up a quarter of the population, object to the single national narrative being promoted by the project and its lack of Albanian representatives. 

“We don’t like any of this. We feel we are being pushed aside, like we are second class citizens,” says Jeton Iseni, an ethnically Albanian student, sitting among the new statues.

In late May, six people were injured and 27 arrested in riots apparently triggered by the arrest of an ethnic Albanian Muslim bike thief for killing a member of the majority Orthodox Christian population. In July, police clashed with protestors following the conviction of six ethnic Albanians over the deaths of five Christian fishermen back in 2012. [Editor's note: The original version misstated the event that triggered the May riots.]

As Skopje 2014 nears completion, it continues to divide Macedonia over its cultural legacy and role in society. “The new area is just about making money – it isn’t anything about culture,” says one older merchant in the Old Bazaar, the heart of the former Ottoman city, dismissing the new development. “That is one thing, this is another.”

Mr. Nikoleski disagrees. “Skopje 2014 will be great for Macedonia," he says. "With cheap flights and this new development more and more people will visit here and see our own culture.”

You've read  of  free articles. Subscribe to continue.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to

QR Code to Macedonia goes neo-classical – or is it just going kitsch?
Read this article in
QR Code to Subscription page
Start your subscription today