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The five most recent Christian Science articles with a spiritual perspective.
'Cardenio,' a seldom-staged work attributed by some to the Bard, opens May 10 in Cambridge, Mass.
The actress and M. Ward have formed a duo called She & Him that emulates the feel of 1960s music. Just don't call it a vanity project.
Thirty-three years after they split up, Petty has reunited his first band, Mudcrutch.
On 'E=MC2,' Mariah Carey discovers fresh musical equations while multi-octave newcomer Leona Lewis gets into the 'Spirit' of things.
When Melissa Steinman was picked as an adviser to a topical play, it aided her postwar recovery – and helped other veterans, too.
In Southern California, an ambitious Festival of New American Musicals aims to generate new great works to replace the constantly recycled old ones.
R.E.M. brake for nobody on 'Accelerate,' a comeback album of sorts, and The Black Keys expand their color palette with a little help from producer Danger Mouse.
She's a concert violinist; he's a folk rocker. Together they're blending genres on a US tour.
'The Odd Couple' of Gnarls Barkley deliver hummable hooks, which is more than can be said of the new album by The Raconteurs.
Move aside, Amy Winehouse. The most famous beehive hairstyles in rock 'n' roll return after a 16-year hiatus.
The Illinois senator is inspiring unknown musicians to compose their own odes to the presidential candidate.
Sharon Jones and the Dap-Kings aim to revive old-school soul music in the US. The Dap-Kings were hired to play on Amy Winehouse's album while Jones dominates the soundtrack of "The Great Debaters." Now, a breakthrough may be imminent.
A few composers are seeing new possibilities for percussion concertos. At least four such pieces are scheduled in the US over the next month.
Terrance Simien, a leading light among the younger generation of zydeco musicians, is raising the genre's profile at this year's Grammy awards.
Vampire Weekend's new album is (pardon us) fangtastic, Sheryl Crow returns after personal "Detours."
On his first album in a decade, Professor Peter Schickele (and his alter ego, P.D.Q. Bach) create cadenzas of laughter in classical music.
Cat Power's new covers record includes tunes by Bob Dylan, Joni Mitchell, and Cat Power herself. The mood is hushed, and elegiac.
Their 1999 research on an unsung hero who sheltered Jewish children during the Holocaust has become a play that's been performed abroad – and brought recognition to a Polish woman.
In Mississippi, M.J. Etua helps students look outside their own world as they participate in a competition against better-funded programs.
By updating traditional Afro-Peruvian music, the band is mainstreaming black culture in the racially divided nation.
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