J.K. Rowling discusses nonprofit Lumos at 'Fantastic Beasts' screening: '[Orphans] are so voiceless'

'This is an extremely solvable issue,' Rowling said of institutionalized children. 'It doesn't mean it's easy, but we know how to do it.'

Neil Hall/Reuters
Writer J.K. Rowling arrives for the European premiere of the film 'Fantastic Beasts and Where to Find Them' at Cineworld Imax, Leicester Square in London, Britain on November 15, 2016.

J.K. Rowling came to town for a movie and a cause.

The British author recently appeared at Carnegie Hall to introduce an advance screening of "Fantastic Beasts and Where to Find Them," a film now in theaters that she adapted from her "Harry Potter" spinoff book of the same name.

The screening was a fundraiser for Lumos, a nonprofit foundation Rowling started a decade ago to help institutionalized children worldwide be reunited with their families.

Her voice hoarse from days of promoting "Fantastic Beasts," Rowling joked that she was "full of honey" as she joined the film's star, Eddie Redmayne, for a conversation about her charitable work and her "Fantastic Beasts" script.

She has related often her inspiration for Lumos: She was reading the Sunday Times and spotted, to her horror, a picture of a child in a cage. Unsure if she could bear to keep reading, Rowling told herself that if the story was as awful as the picture suggested, she had no choice but to do something about it.

"They are so voiceless," she said of the children in orphanages, which she has criticized often as damaging to children and their development. Wearing dark-rimmed glasses, her blonde hair pulled back in a ponytail, Rowling came prepared with notes and statistics about the plight of institutionalized children but also about the real possibility of helping them all.

"This is an extremely solvable issue," she said. "It doesn't mean it's easy, but we know how to do it."

Lumos CEO Georgette Mulheir, who spoke to The Associated Press shortly before Rowling took the stage, said that the author's passion and financial support for Lumos had made it an unusually effective and stable organization. She noted that most foundations struggle year to year to raise money. But Rowling locked in revenues for Lumos by donating proceeds from another Potter spinoff, "The Tales of Beedle the Bard."

"It means our programming can be long-term," she said. "If you want to make major changes happen in a country, you have to make immediate long-term investments."

Rowling also spoke of "Fantastic Beasts" and the writing process. The film was directed by David Yates and also features Alison Sudol, Dan Fogler, Katherine Waterston, and Ezra Miller, all of whom briefly came onstage after Rowling and Redmayne.

Countless novelists have struggled to write for films, calling the two art forms almost entirely different. Rowling managed in part by treating the script like a book, including not just dialogue but long descriptive passages about the setting and characters.

"It's like learning a completely new language," she said of her script. "I learned to write a screenplay while writing a screenplay."

You've read  of  free articles. Subscribe to continue.
Real news can be honest, hopeful, credible, constructive.
What is the Monitor difference? Tackling the tough headlines – with humanity. Listening to sources – with respect. Seeing the story that others are missing by reporting what so often gets overlooked: the values that connect us. That’s Monitor reporting – news that changes how you see the world.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.

QR Code to J.K. Rowling discusses nonprofit Lumos at 'Fantastic Beasts' screening: '[Orphans] are so voiceless'
Read this article in
QR Code to Subscription page
Start your subscription today