Despite some sharp scenes, the gross-out humor of 'Bachelorette' goes nowhere.
Actors Geoffrey Rush and Judy Davis hold the screen with their craftsmanship, but the film is lackluster.
Director Ron Fricke's movies aren't much more than travelogues, but the range of locations is impressive.
'Ornette' is a maddening but fascinating, one-of-a-kind film about a jazz icon.
A powerful look at a drive for reform in the clamorous and heartbreaking documentary 'The Green Wave.' The film is ever more relevant as Iran remains a hot topic on the global stage.
Frank Langella's performance elevates the movie into a character study of a proud man combating his fearfulness.
While director Nicole Karsin doesn't adequately detail the politics behind Colombian warfare, the documentary is still powerful.
The shticks of Ferrell and Galifianakis are all too familiar in this toothless satire.
Some of the action is enjoyable, but 'Bourne' is bogged down by confusing exposition.
'Hope Springs' revives a tired boomer marriage.
'Imposter' has a few too many reenactments but is an unsettling mystery.
Despite an impressive production crew and cast, '360' is disappointing.
'Celeste' is a rarity: a rom-com break-up scenario seen from the female point of view.
With one-dimensional characters, 'Total Recall' is just a big-screen video game.
'Sugar,' the story of the search for a musician whose career is resurrected, is a real-life fairy tale with a happy ending.
'Never Sorry' is a new-style profile in 21st-century courage.
'The Watch' has lots of gross-out CGI monster splatter, but falls short on comedy.
'Patang' skillfully integrates documentary footage with dramatic reenactments.
The film has unhurried storytelling and fairy-tale charm.
With 'Brave,' 'Snow White and The Huntsman,' and 'The Hunger Games' we're seeing the box-office triumph of strong, young female characters. But has Hollywood – or American culture – really changed how it sees women?