Is anyone else – like me – old enough to remember Bobby Riggs, Billie Jean King, and the Battle of the Sexes? I was only 16 when that famous (infamous?) 1973 tennis match took place, but I still remember the almost blinding rage that I felt for just a moment when I first heard the 55-year-old Riggs taunt that he was superior to even the best (and youngest) of female tennis players.
I had a flash of the same kind of feeling this week when I read V.S. Naipaul's boast during an interview at the Royal Geographic Society that no woman writer is his literary match. When he was asked – of course – about Jane Austen, he replied that he "couldn't possibly share her sentimental ambitions, her sentimental sense of the world."
Women writers, continued Sir Vidia, are "quite different." He said that he can "read a piece of writing and within a paragraph or two" he knows "whether it is by a woman or not." The "quite different" comment wouldn't necessarily have been an insult – except that he went on to add: "I think [women's writing] unequal to me."
And then, just as bad: "[I]nevitably for a woman, she is not a complete master of a house, so that comes over in her writing too."
Of course Naipaul's remarks have been getting plenty of blowback.
It's hardly the first time the Nobel and Book Prize winner has aired his negative feelings about women writers. (The Guardian notes his comments about the "banality" of India's women writers on the subject of postcolonialism). But unlike Riggs – who was a great publicist for the sport that he loved – it's less clear what motivates Naipaul to say things that make at least half of the human race really, really angry.
The most plausible explanation is simply that he really believes what he says. And unlike Bobby Riggs, he'll never be in a position to actually meet his famous opponent across a tennis net.
That won't, however, exempt him from the court of world opinion.
Now, don't get me wrong here. "A House for Mr. Biswas" is a great book – it really is. But 100 years from now, if you put it on a shelf next to "Pride and Prejudice" (or "Persuasion" or even "Emma"), which one do you think most readers will still be eager to pull down?
None of us reading this today will be here to know, but my guess is that Naipaul would be lucky if he – like Riggs in his best matchup with King – lost by as little as 6 to 4.
Marjorie Kehe is the Monitor's Books editor.