The Monitor Movie Guide
MARCH 22, 1996
Movies containing violence (V), sexual situations (S), nudity (N), and profanity (P) are noted. Ratings and comments by the panel (blue stars) reflect the sometimes diverse views of at least three other viewers. Look for more guidance in our full reviews.
David Sterritt Monitor Panel Meaning
O O Forget it
s p Only if it's free
ss pp Maybe a matinee
sss ppp Worth full price
ssss pppp Wait in line
BONJOUR TRISTESSE (Not rated)
sss Revival of Otto Preminger's lavish 1958 melodrama about a manipulative teenager whose mischievous schemes cause unhappiness for her father and his fiancee. David Niven and Deborah Kerr are typically captivating as the older folks, but Jean Seberg's pert performance and Preminger's gorgeous views of the French Riviera steal the show.
FATE (Not rated)
ss The sad relationship between an accordion player and his unfaithful mistress serve as metaphors for contemporary Eastern European decadence in F. Kelemen's strikingly filmed but self-consciously squalid melodrama, which appears to be strongly influenced by French author Georges Bataille and American avant-garde film. Contains a graphic rape scene. P N S V
FRISK (Not rated)
O Kinky sex leads to murder. Directed by Todd Verow with occasional flashes of imagination. Skip it. S N V P
GIRL 6 (R)
ss A would-be actress goes to work for a phone-sex company. Much of the movie exploits its subject for low-grade laughs, but in the end it takes a foursquare stand against the sleazy business it portrays, exposing its capacity for decadence and degradation. Spike Lee directed Suzan-Lori Parks's screenplay. Theresa Randle heads a cast that also includes Madonna, Ron Silver, Halle Berry, John Turturro, and Quentin Tarantino. Contains much explicit sex-related talk. P S N V
IT'S MY PARTY (R)
s A man diagnosed with AIDS throws a farewell party before ending his life. A compassionate attitude and vivid acting by Eric Roberts don't outweigh the picture's superficial approach to a sadly serious subject. Randal Kleiser directed. The good cast includes Bronson Pinchot, Olivia Newton-John, George Segal, Marlee Matlin, Lee Grant, and Roddy McDowell. P
JACK & SARAH (R)
ss Faced with the daunting prospect of raising his baby daughter alone, a young English widower shoos away his fussbudget mother and teams up with an American nanny who makes up in enthusiasm what she lacks in experience. The movie has a warm heart and a lively spirit, although its romantic subplot is mighty predictable. The stars are Richard E. Grant and Samantha Mathis, but memorable moments are also provided by Ian McKellen and Judy Dench, who head the stellar supporting cast. Directed by newcomer Tim Sullivan. P S
LITTLE INDIAN, BIG CITY (PG)
ss You can take the boy out of the rain forest, but can you take the rain forest out of the boy? Learning that he has a son who's grown up in the wilds of Venezuela, a French businessman takes him to Paris and tries to civilize him a bit, only to find the kid's values are more solid than his own in many ways. Herve Palud directed the corny but colorful French comedy, dubbed into English for the American market. P V
TWO MUCH (PG-13)
ss Antonio Banderas pretends to be twins so he can romance two very different sisters - feisty Melanie Griffith and thoughtful Daryl Hannah - while evading thugs hired by Danny Aiello, his victim in a recent con-man scheme. The cast also includes Eli Wallach as the hero's father, Joan Cusack as his assistant, and Austin Pendleton as a befuddled psychiatrist. But while the cast is loaded with talent, the jokes often fall flat, and the story rambles on longer than the paper-thin plot requires. Directed by Fernando Trueba. S N V P
Oscar Nominees in Release
sss He's a pig who longs to be a sheepdog, to the consternation of his barnyard friends and the confusion of the humans who own him. The movie is at times raucous, but its spirits couldn't be higher, and it teaches the lesson that cooperation is better than coercion. Best of all is the very funny climax, which should have grownups brushing away happy tears along with their kids. Directed by Chris Noonan. (Best picture, supporting actor, director)
ppp Hilarious, delightful, appealing to adults.
ss Aye, here's a wee bit of a three-hour epic about a handsome 13th-century hero freeing Scotland from its English overlords. Directed by and starring Mel Gibson, who puts more brawn than brain into both jobs. V S P N (Best picture, director)
ppp Engrossing history lesson, violent battle scenes.
DEAD MAN WALKING (R)
sss Fact-based story of a Roman Catholic nun who befriends a convicted murderer, helping him appeal his sentence and prepare for the death penalty that awaits him if their efforts fail. Although it's often preachy and self-conscious, Tim Robbins's drama is socially courage- ous in its critical dissection of capital punishment, and deeply moving in its insistence on the fundamental humanity of its characters. Superbly acted by Susan Sarandon and Sean Penn; vividly photographed by Roger Deakins. Contains reenactments of a harsh crime. V P (Best actor, actress)
pppp Profound, humane, thought-provoking.
ssss Jennifer Jason Leigh gives the performance of a lifetime as a deeply troubled rock singer who moves in with her sister, a country-music star who's achieved success at the expense of strained family relations. Directed by Ulu Grosbard, who has never done a better job of filling the screen with superb acting, and shows great ingenuity at interweaving music with other aspects of the story. Barbara Turner wrote the sensitive screenplay. Contains graphic portrayals of substance abuse and other unsavory material. S V P N (Best supporting actress)
ppp Gritty, heartbreaking; Jason Leigh is superb.
LEAVING LAS VEGAS (R)
sss The ill-starred love affair of two misfits in an uncaring world. Rarely have the miseries of alcoholism and prostitution been portrayed with such cautionary force, or such an unshakable sense of compassion for their victims. Directed by Mike Figgis with a keen eye for visual details and a brilliant ear for visual underpinnings. A tacked-on "uplifting" finale and a scene of needless brutality against the heroine provide the only false notes. Nicolas Cage and Elisabeth Shue head the excellent cast. Viewers should be warned that the film contains explicit depictions of jarringly objectionable material. S N V P (Best actor, actress, director)
pp Depressing, well-acted, overrated.
MR. HOLLAND'S OPUS (PG)
s A musician takes a teaching job to support his family so he can do some serious composing, but gets sidetracked for 30 years by the demands and rewards of his new profession. The movie takes an admirable stand in favor of real support for culture and education; but soggy screenwriting and Richard Dreyfuss's unexciting perform- ance make the result seem as dinky as the five-minute symphony our hero unveils. Stephen Herek directed. P (Best actor)
pp Inspiring, earnest, overwrought.
sss Oliver Stone portrays the former president as a mixture of conflicting qualities - on one hand a foul-mouthed bigot and geopolitical killer who bombs Southeast Asia with hardly a shrug, on the other a perspicacious world-changer who might have been a 20th-century giant if his personality hadn't been so flawed. Less cinematically daring but more psychologically rich than Stone's amazing "JFK," the picture is as rambling, mercurial, infuriating, and fascinating as its hero. Anthony Hopkins heads a superb cast. V P (Best actor, supporting actress, original screenplay)
ppp Long, entertaining, cathartic.
THE POSTMAN ('IL POSTINO') (PG)
ssss Exiled by his 1950s political foes to a fishing village off the Italian coast, Chilean poet Pablo Neruda strikes up an unexpected friendship with a meek postman who's one of the island's few literate inhabitants. Directed with exquisite care by Michael Radford, this loosely fact-based drama is both a touching story of mutual affection and a deeply intelligent essay on the relationship between nature and culture. Philippe Noiret is a fully believable Neruda, even if the screenplay doesn't reflect the rich variety of the actual poet's work, and the late Massimo Troisi is brilliant as his unlikely companion. S P (Best picture, actor, director)
pppp Poetic, tender, quietly humorous.
SENSE AND SENSIBILITY (PG)
sss Two sisters with contrasting personalities face family challenges and romantic complications within the carefully structured social codes of English country life about 200 years ago. Jane Austen's deeply ironic novel loses some of its bite but little of its beauty in Emma Thompson's screen adaptation, which is fetchingly photographed and capably acted by Kate Winslet, Hugh Grant, and Alan Rickman, among others. Directed by Taiwanese filmmaker Ang Lee. (Best picture, actress, adapted screenplay)
pppp Nuanced, majestic, brilliant.
TWELVE MONKEYS (R)
ssss In a future society driven underground by a deadly epidemic, a convict travels into the bygone year of 1996, where a bizarre animal-rights group may hold clues to the illness's cause and cure. Bruce Willis is bruisingly good as the hero and Brad Pitt is suitably zany as the activist who dogs his trail. Directed by Monty Python comedy-troupe veteran Terry Gilliam, whose talent for vivid imagery fills every shot with an anarchic energy that's manically appropriate to the unpredictable plot. Inspired by Chris Marker's masterpiece "La Jetee," made in 1962. Contains violence and vulgarity. V P (Best supporting actor)
ppp Dark, apocalyptic, thought-provoking.
Currently in Release
ANNE FRANK REMEMBERED (PG)
sss Informative, very moving documentary on the life and times of the articulate Jewish girl whose diary, written while her family hid from Nazi genocide in an Amsterdam attic, has touched countless millions since it was published almost 50 years ago. Written and directed by Jon Blair. Contains explicit images of concentration-camp carnage. V
ANTONIA'S LINE (Not rated)
ss A strong-willed woman returns to her ancestral home in the Netherlands after World War II and sets up an unusual household, run by and for the females of the family. Directed by Dutch filmmaker Marleen Gorris, known for her longtime interest in gender and sexuality, this feminist fable would be more effective if the male characters were well-rounded human beings instead of two-dimensional symbols who'd be more at home in a medieval morality play. Contains violence as well as sexual and homosexual activity. S N V P
ppp Individualistic, original, powerful.
BEAUTIFUL GIRLS (R)
sss The lives, loves, lingering hopes, and occasionally sour grapes of several young men approaching their 30th birthdays in a small Massachusetts town where aspirations outstrip opportunities. Scott Rosenberg's screenplay is overwritten and Ted Demme's directing doesn't have much dash, but the picture is redeemed by sensitive acting from Timothy Hutton, Mira Sorvino, Michael Rapaport, Natalie Portman, Matt Dillon, Martha Plimpton, Max Perlich, and Rosie O'Donnell; only Uma Thurman and Annabeth Gish disappoint. P V
ppp Moody, self-conscious, funny.
BEFORE AND AFTER (PG-13)
sss The bonds of a middle-class family are sorely tested when a teenage son is arrested for murder and his father destroys evidence that might be vital to the case. Ted Tally's screenplay is graceless at times, but thoughtful performances and low-key directing by Barbet Schroeder make the picture a vivid exploration of how complex and ambiguous "family values" can be in the real world. Liam Neeson and Meryl Streep are convincing as the parents. Edward Furlong stands out as the teenager and Alfred Molina provides a fine shot of energy as his lawyer. V P S
THE BIRDCAGE (R)
sss Armand and Albert are homosexual, but Armand's son wants to marry the daughter of a conservative senator, so they agree to "act straight" for a while. Based on the popular French movie "La Cage aux Folles," the fast-moving comedy was directed by Mike Nichols from Elaine May's screenplay. Robin Williams and Gene Hackman head the well-chosen cast. Contains a great deal of material about homosexuality. P N
ppp Hilarious, frenetic, and touching, but stereotyped and superficial in its treatment of both homosexuals and conservatives.
BOTTLE ROCKET (R)
sss Three unbelievably boring young men decide to form a gang and enter a life of criminal adventure. This deliciously offbeat comedy gets much of its oomph from a loopy screenplay and lead performances that can only be called hilariously bland, or is it blandly hilarious? Wes Anderson directed the picture and wrote the screenplay with Owen C. Wilson, who stars with Luke Wilson and Robert Musgrave. Kudos to all. P V S
pp Zany, cult wannabe, twentynothing.
BROKEN ARROW (R)
ss Patriotic pilot Christian Slater and treacherous rat John Travolta duel over a pair of stolen nuclear bombs, both equipped with digital timers that start tick-tick-ticking whenever the picture needs a shot of suspense. The screenplay has some amusing punch lines, and Samantha Mathis steals a scene or two as a park ranger who never expected so much excitement on her usually peaceful turf. But don't expect the kind of eye-popping kinetics that director John Woo cooked up before leaving Hong Kong for Hollywood. V P
pp Lightning-paced, crazy, cartoonish.
THE CELLULOID CLOSET (R)
sss Lily Tomlin narrates this documentary on the treatment of homosexuality in films, giving a historical overview and suggesting that biased screen images have contributed to real-life violence against homosexuals. Stars like Tom Hanks and Whoopi Goldberg provide commentary; film clips range from silent pictures to hits like "Some Like It Hot" and "The Color Purple." Directed by Rob Epstein and Jeffrey Friedman. Based on Vito Russo's book. Contains a few sexually explicit excerpts. S N V P
CHUNGKING EXPRESS (PG-13)
sss Two separate stories about Hong Kong policemen with romantic problems. One meets a female smuggler who helps him forget his former girlfriend, and the other gets involved with a music-loving waitress who pokes into his life behind his back. Written and directed by Wong Kar-wai, the film is an imaginative piece of filmmaking and an evocative essay on contemporary Hong Kong as it prepares for a return to Chinese rule. V S P
EXECUTIVE DECISION (R)
sss There's nerve gas on the plane with a big bomb attached, and disaster looms if Kurt Russell and company don't outwit the terrorists who planted it. The movie wants to be an airborne "Speed," and director Stuart Baird stirs up some terrific suspense scenes. Some of the violence is nasty and unnecessary, though. V P
ppp Tense, occasionally brutal, tip-top formula.
ss Strapped for cash, a small-time businessman arranges for his wife to be kidnapped to get the ransom. Directed by Joel Coen and produced by Ethan Coen, the pitch-dark comedy has good acting by William H. Macy as the devious husband and Frances MacDormand as the pregnant policewoman who cracks the case. Contains explicit sex and much grotesquely exaggerated violence, though. S V P
ppp Whacked-out, bizarre, funny, great camera work, but violence erupts out of nowhere.
HOMEWARD BOUND II: LOST IN SAN FRANCISCO (G)
ss Two dogs and a cat have an adventurous outing in the Bay Area after their family loses them during a vacation. The story is lively enough, but kids will know these talkative pets are strictly from Hollywood. Directed by David R. Ellis. Contains some vulgar humor. V
ppp Funny, sassy, good lines from the cat.
LAND AND FREEDOM (Not rated)
sss Events and issues of the Spanish Civil War, as seen through the eyes of a young Englishman who volunteers to join the fight against fascism. Directed by British filmmaker Ken Loach, who has explored moral and political questions throughout his career, the movie works best during its quieter moments. The action scenes are handled less convincingly than their historical importance demands. V P S
IF LUCY FELL (R)
O Years earlier, painter Joe and psychotherapist Lucy decided they'd jump off the Brooklyn Bridge if they didn't find romance by their 30th birthdays. Now the deadline is near - but if anyone jumps it's likely to be moviegoers who paid to see this amazingly dumb comedy, about which there's nothing good to say except that the Brooklyn Bridge looks as handsome as ever. Directed by Eric Schaffer. He also stars with Sarah Jessica Parker. P S
pp Bad editing, undeveloped potential, annoying.
INSTITUTE BENJAMENTA (Not rated)
ssss A shy young man enrolls in a school for servants, and discovers that his teachers are harder to comprehend than the profession he hopes to follow. Directed by the Brothers Quay, famous for their surrealistic animated films, this live-action story is as beautiful and unsettling as an inexplicable dream, bringing a Kafkaesque touch to class-related issues. V P
THE JUROR (R)
ss Chosen for the jury in a mobster's murder trial, a woman fights for her son's life after he's kidnapped by a psychotic crook who wants a not-guilty verdict for his boss. Everybody betrays everybody in this twisty-turny thriller, basically just another Hollywood exercise in tormenting female characters so audiences will cheer the vengeful finale. Demi Moore and Alec Baldwin cook up an effective mix of chemistry and tension. Contains sex and violence. S V N P
p Superficial, dumb, one big yawn.
MUPPET TREASURE ISLAND
ssss Robert Louis Stevenson's classic about a boy's coming of age will never be the same. Kermit the frog replaces Errol Flynn as swashbuckling buccaneer. Miss Piggy replaces, well, Miss Piggy is too original to be compared to anyone. Ratso the rat runs a Carribbean cruise business on the side selling tickets to "ugly American" rats on a 19th-century sailing ship. Great for the whole family. By Jim Bencivenga
pppp Rib-tickling, adventurous, clever.
UP CLOSE & PERSONAL (PG-13)
ss Robert Redford plays a veteran TV newsman with a handsome face, an impressive resume, and a dubious record of broken marriages. Michelle Pfeiffer plays an eager new journalist with a pretty face, a mostly faked resume, and more interest in reporting than romance - until she meets our hero, and they become teammates both in and out of the newsroom. This promising material is undermined by a meandering screenplay and slow-motion directing by Jon Avnet. S V P
pp Unconvincing, mushy, no chemistry between stars.