National Public Radio (NPR) will launch a major new performing arts program in the fall. For two hours each weekday morning (10 hours a week), it will air live programs of current music, theater, ballet, and other arts, and will discuss current books.
The program, called ``Performance Today,'' will originate in Washington but draw from NPR's 330 member stations across the country and be sent out daily for use from 8-10 a.m., immediately following NPR's ``Morning Edition.''
It will basically be a music program but will include reviews, interviews, news, and brief features on other arts.
Douglas Bennett, president of NPR, says, ``Performance Today'' is still in the pilot stage but could debut as early as September.
``It will provide a vehicle for American performers, with lots of musicians,'' says Mr. Bennett. ``It will have contemporaneity, and lots of class. Whatever we have to do would be stunning radio and very culturally satisfying. It might include [segments on] part of a concert played last night, or a new record release, a new ballet, or a play.''
``Performance Today'' is budgeted at between $1 million and $1.5 million a year, says Dean Boal, director of arts and performance programs for NPR, who adds that funding is ``coming along reasonably well.''
Interest among public radio stations is strong, he says, based on pilots.
NPR is still looking for ``a companionable sounding host for the series,'' he adds.
Bennett says, ``We think `Performance Today' has a unique opportunity to present a daily vehicle for the arts in this country. You can't hear that on newspapers.''
He points out that most broadcast concerts are now presented in series, usually just once a week, sometimes at times not convenient for the listener.
But ``Performance Today,'' he suggests, will be a ``daily spectrum of American arts . . . .'' And he adds, ``I'm very excited about it.''
Mr. Boal estimates that roughly three-quarters of the programming will be music.
``It will be very accessible concert music, predominantly symphonic, chamber music, solo repertoire, but with an emphasis on new and unique performers.''
He adds there will be some ``crossover music'' -- folk, jazz -- of a concert calibre or music, like Claude Bolling's, that crosses between pop and symphonic.
There might be something occasionally on rock, but that would be minimal, he indicates, ``because rock obviously is available elsewhere on radio.''
He says all the musical segments will be short -- none more than 10 minutes -- and that the program will have a recognizable sound.
``It's important that radio end up being predictable; if it's too far-ranging in terms of sound, people don't know what to expect and turn it off,'' Boal says. ``We're still working on the idea of the balance between talk and music.''
The program would include ``minute critics'' giving capsule reviews of a ballet, play, or a new art exhibition that opened the night before, or a review of a book on its publication date.
It could also list new exhibition schedules for museums across the country.
Boal envisions ``Performance Today'' as ``a national showcase of the arts around the country'' that will make use of the production strengths of its member stations.