Skip to: Content
Skip to: Site Navigation
Skip to: Search


Global News Blog

Another Da Vinci mystery: Is a newfound 500-year-old painting his?

The previously unknown painting of a Renaissance noblewoman, which appears to be based on a Da Vinci sketch hanging in the Louvre, was found in a Swiss bank vault.

By Correspondent / October 4, 2013

Part of Corriere della Sera's story about the painting, in color at right, believed to be a newly discovered Da Vinci.

Corriere della Sera

Enlarge

Rome

The steady gaze and beatific smile are reminiscent of the world’s best known painting, the Mona Lisa.

Skip to next paragraph

Italy Correspondent

Nick Squires has been based in Rome since 2008, from which he covers Italy, the Vatican, and surrounding countries, from Greece to the Balkans. Educated at Oxford University, he spent two years working at a newspaper in Hong Kong before joining the BBC World Service in London. He then spent eight years based in Sydney, from where he covered Australia and traveled on assignments to the South Pacific, East Timor, and Papua New Guinea.

Recent posts

Those clues, along with carbon dating and other scientific tests, have led Italian experts to claim that they have found the holy of holies of the art world: a previously unknown Leonardo da Vinci masterpiece.

Experts believe that the newly discovered painting is the full-blown, oil version of a pencil sketch drawn by Leonardo of a Renaissance noblewoman, Isabella d’Este, which now hangs in the Louvre Museum in Paris.

Leonardo completed the sketch when he was staying in the city of Mantua, in the northern Lombardy region, in 1499 or 1500.

Pleased with her portrait, the Marquesa d’Este then sent letters asking him to produce a new, more elaborate version in colored oils. According to historical records, she never received a reply.

Art historians speculated that the Renaissance master had moved on to grander, more lucrative commissions, including the Mona Lisa, which is believed to be a portrait of Lisa Gherardini, the young wife of a rich Florentine merchant.

Now, it appears, Leonardo did indeed paint the oil portrait, perhaps when he met d’Este, one of the most influential female figures of her day, in Rome in 1514.

The oil painting was discovered recently in a Swiss bank vault, part of a collection of 400 works owned by an Italian family who have asked not to be identified.

Measuring 24 inches by 18 inches, it bears a striking resemblance to the Leonardo sketch held by the Louvre – the woman’s posture, her hairstyle, her striped dress, and the way she holds her hands are almost identical.

“There are no doubts that the portrait is the work of Leonardo,” Carlo Pedretti, a professor emeritus of art history and an expert in Leonardo studies at the University of California, Los Angeles, told Corriere della Sera newspaper on Friday. “I can immediately recognize Da Vinci's handiwork, particularly in the woman's face."

Scientific tests have shown that the type of pigment in the portrait was the same as that used by Leonardo, as was the primer used to treat the canvas. Carbon dating, conducted by a mass spectrometry laboratory at the University of Arizona, has shown that the portrait was painted between 1460 and 1650.

Professor Pedretti, a recognized expert in authenticating disputed works by Da Vinci, said more analysis was required to determine whether certain elements of the portrait – notably a golden tiara on the noblewoman’s head and a palm leaf held in her hand like a scepter – were the work of Leonardo or one of his pupils.

But as with any new-Leonardo-da-Vinci-discovered story, doubts were expressed by some eminent experts.

Martin Kemp, professor emeritus of the history of art at Oxford University, and one of the world’s foremost authorities on da Vinci, said if the find was authenticated it would be worth “tens of millions of pounds” but raised doubts about whether the painting was really the work of Leonardo.

The portrait found in Switzerland is painted on canvas, whereas Leonardo favored wooden boards, he said.

And Leonardo gave away his original sketch to the marquesa, so he would not have been able to refer to it later in order to paint a full oil version.

It was more likely to have been produced by one of the many artists operating in northern Italy who copied Leonardo’s works. "They'd take a Madonna head from one work and then pick the figure of John the Baptist from another, and produce a sort of pastiche. It was a sort of early version of Photoshop," he says.

Only around 15 works have been reliably attributed to Leonardo, including the Mona Lisa, which is also hangs in the Louvre.

If these latest claims are backed up by other leading da Vinci experts, that number has just jumped to 16.

Permissions

  • Weekly review of global news and ideas
  • Balanced, insightful and trustworthy
  • Subscribe in print or digital

Special Offer

 

Doing Good

 

What happens when ordinary people decide to pay it forward? Extraordinary change...

Endeavor Global, cofounded by Linda Rottenberg (here at the nonprofit’s headquarters in New York), helps entrepreneurs in emerging markets.

Linda Rottenberg helps people pursue dreams – and create thousands of jobs

She's chief executive of Endeavor Global, a nonprofit group that gives a leg up to budding entrepreneurs.

 
 
Become a fan! Follow us! Google+ YouTube See our feeds!