US Ambassador murdered as extremists on all sides win, again
The murder of the US Ambassador to Libya yesterday and a raucous protest in Cairo, all over a movie deemed offensive, recall the widespread violence during the Danish cartoon controversy.
In this photo taken on Tuesday, damage at the US Consulate in Benghazi is seen during a protest by an armed group said to have been protesting a film being produced in the United States.
Esam Al-Fetori/Reuters
The murder of US Ambassador to Libya Chris Stevens yesterday as an unopposed crowd ransacked and torched the consulate in Benghazi, along with a raucous protest at the US embassy in Cairo, are events that are going to reverberate for months to come. That the violence came on the anniversary of the 2001 Al Qaeda attacks on New York and Washington was not a coincidence.
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Staff writer
Dan Murphy is a staff writer for the Monitor's international desk, focused on the Middle East. Murphy, who has reported from Iraq, Afghanistan, Egypt, and more than a dozen other countries, writes and edits Backchannels. The focus? War and international relations, leaning toward things Middle East.
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Mr. Stevens was killed along with three other Americans in Libya's second-largest city, in protests that used as their pretext a hitherto unknown amateur film designed to insult the prophet Muhammad. Stevens was the first US ambassador murdered in the line of duty since Ambassador Adolph Dubs was assassinated in Kabul, Afghanistan, in 1979. Early unconfirmed reports from Benghazi indicated the other dead Americans were Marines assigned to diplomatic security.
The ginned-up controversy over the film, which was propelled to violence by a rabble-rousing Egyptian television channel that presented the film as the work of the US government, recalls the protests over cartoons depicting Muhammad published in Denmark's Jyllands-Posten newspaper in 2005.
Then, there were violent protests across the Middle East over the exercise of free speech in a Western nation. In some ways, it was the beginning of an era of manufactured outrage, with a group of fringe hate-mongers in the West developing a symbiotic relationship with radical clerics across the East. The Westerners deliberately cause offense by describing Islam as a fundamentally violent religion, and all too often mobs in Muslim-majority states oblige by engaging in violence.
Terry Jones, a fringe evangelical Florida preacher, has been one of the instigators on the US end. In the run-up to the 10th anniversary of the Sept. 11 attacks, he basked in the publicity of a planned Quran-burning and the threats and violence that ensued. Mr. Jones is involved in the latest manufactured controversy as well, since in the past week he's drawn attention to the deliberately insulting film, financed by a self-described Jewish-Israeli real estate developer Sam Bacile living in California.
Jones and Mr. Bacile cannot be blamed for the violence and death of the ambassador. That blame goes to the perpetrators. Who whipped them up? Ground zero for bringing attention to the movie in Egypt appears to be Al-Nas TV, a religious channel owned by Saudi Arabian businessman Mansour bin Kadsa. A TV show presented by anti-Christian, anti-Semitic host Khaled Abdullah before the violence showed what he said were clips from the film, which he insisted was being produced by the United States and Coptic (Egyptian) Christians.
The clip, dubbed from the US film into Arabic, was certainly inflammatory. It shows Muhammad as a grinning fool, talking to a donkey and dubbing it "the first Muslim animal." Max Fisher found a 14-minute video of the movie in English that is even worse, one badly acted anti-Islamic caricature after another, with all Muslims portrayed as cartoonishly violent and depraved child rapists, and a running "joke" that constantly calls Muhammad "the bastard of the unknown father." The frankly disgusting clip is included below.
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