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Holy matrimony, Batman! Are comic books legalizing gay marriage?

Gay characters and gay marriage, even among superheroes, are cropping up in the comic book universe, in what one artist calls an attempt 'to be current.' The reaction, predictably, is mixed.

By Staff writer / June 7, 2012

This combo made from images provided by DC Entertainment shows pages from the second issue of the company's 'Earth 2' comic book series featuring Alan Scott, the alter ego of its Green Lantern character, who is revealed to be gay. The reveal is the latest example of how comics publishers big and small are making their characters just as diverse as the people who read their books. The issue will be available on June 6.

DC Entertainment/AP


Los Angeles

While political pressure steadily mounts on the issue of gay marriage – President Obama was in Hollywood Wednesday night for two LGBT fundraisers – comic books, that canary in the mine of popular culture, are pushing the envelope on depictions of gay life further this summer.

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Marvel Comics offers the first gay super-hero marriage proposal in its June issue of the “Astonishing X-Men.” A character known as Northstar, aka Jean-Paul Beaubier, a Canadian with silver-streaked black hair, piercing blue eyes, and the ability to fly and move at superhuman speeds, asks his long-time boyfriend Kyle Jinadu to tie the knot. DC comics also did a June reboot of the Green Lantern character, introducing a gay version from an alternate universe.

Comics put a toe in this water earlier this year when Archie comics featured Kevin Keller ­– merely a US soldier with no super powers – marrying his African-American boyfriend in an issue that sold out by March.

“We were trying to be current,” says Paul Kupperberg, the writer who created the Archie issue. “This is what our society looks like, and Riverdale [Archie’s fictional hometown] is an inclusive place.” [Editor's Note: The original version misstated Mr. Kupperberg's role in the Archie issue.]

Comic books have long been a mirror for society, points out comic book historian Julian Chambliss, who just presented a paper on teaching with comics at a conference on that topic at Juniata College in Huntington, Pa.

Mr. Chambliss, a history professor at Rollins College in Winter Park, Fla., says comic books reflect societal concerns, despite being characterized as juvenile escapism.

“Superheroes in particular are iconic symbols that mirror values, beliefs, and anxieties tightly linked to national circumstances,” he says via e-mail. These characters “can embody identity and patriotism (Superman), reflect disquiet about community stability (Batman), or explore struggles over gender roles (Wonder Woman).”

Superhero comic books have a history of creating characters and featuring stories that balance established values while acknowledging changing reader expectations, points out Chambliss.

In 1966, he notes, Marvel introduced the first black character, a decade after civil rights protest began but one year after landmark antidiscrimination legislation passed Congress. In 1971, just two months after President Richard Nixon declared the first “War on Drugs,” DC shed light on the dangers of drug abuse by having an established teen sidekick become a drug addict. 


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