Lackluster Memorial Day box office: Economy or bad films to blame?
Big-name films including the Sex and the City sequel failed to draw the audiences expected on the traditional kick-off of the summer movie season.
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“Hollywood has been doing the same thing for 30 years and now it’s falling apart,” he says. Instead of repeating past mistakes, he says, it is actually better business for the industry to pay attention to what people really want – stories about human connection and real meaning.Skip to next paragraph
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“Look at the most successful film of all time,” he says, referring to the James Cameron blockbuster, “Avatar.” “That movie was a huge hit because it was about something, it touched people and made them think about the fact that we are all on the same planet and we are all connected.”
African-American filmmaker and Villanova University professor Hezekiah Lewis says the failure of the tale about a Mideastern prince should also send a message to the traditional entertainment industry. Instead of casting big-name white actors such as Mr. Gyllenhaal to play characters of color, “they should go for authenticity and use performers with more diverse backgrounds.”
Reality, says Mr. Lewis, is what has people’s attention at the moment. “Events in the real world – the oil spill in the Gulf and the war in Afghanistan – they’re just too big to ignore. People want their stories to tackle real stories with real meaning, they’re tired of plastic creativity,” he says. If audiences aren’t buying what Hollywood is making, he adds, “maybe it’s time to try something new.”
There's a certain irony to how Hollywood obsesses over box office numbers most of the year, but then largely ignores them come awards season, says Peter Lehman, Director of the Center for Film, Media and Popular Culture at Arizona State University, in an e-mail.
"From this perspective, this year was typical, if somewhat extreme, with the "Hurt Locker," which did little box-office business, winning the awards, and "Avatar," which broke all domestic and world box-office records, winning few awards," he says.
Why do we care about box office numbers, then, if they don't impact a film's worth? "Americans are obsessed with what can be numerically measured and reported," he says. But really, "there isn't necessarily a great message or a trend in the figures of one weekend – just an overconcern with quantifying and comparing."
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