'Oz The Great and Powerful' is less than magical

( PG ) ( Monitor Movie Guide )

'Oz The Great and Powerful'' features an affable James Franco and radiant Michelle Williams, but its Wizard-origin story drags.

|
Merie Weismiller Wallace/Disney Enterprises/AP
'Oz The Great and Powerful' stars James Franco (l.) and Michelle Williams (r.).

Oz The Great and Powerful” is the latest in a seemingly endless stream of Hollywood fairy-tale redos. It’s a bit better than “Jack the Giant Slayer,” but not by much. Directed by Sam Raimi, it’s a prequel to “The Wizard of Oz” that attempts to answer the question, “How did the wizard become the wizard?”

In this version, our wizard started out as Oscar Diggs (James Franco), a small-time Kansas carnival magician who is whisked via hot air balloom into the Land of Oz, where, as imagined by Raimi and screenwriters Mitchell Kapner and David Lindsay-Abaire, he encounters not one but three witches: Theodora (Mila Kunis), Evanora (Rachel Weisz), and Glinda (Michelle Williams). Glinda, of course, is good – or, to be precise, Good.

Franco is affable and helps tone down the film’s overly bright and overscaled production values. (The 3-D is passable). Williams is radiant without being sappy. It’s nice to see Munchkins again, not to mention Quadlings. But long stretches of “Oz” are lumbering and inspiration-free. (Also Dorothy-free.) I’m no fan of “Wicked,” the musical “Oz” prequel, but at least it had some big-time energy going for it. Raimi’s film is supposed to be about magic, but magic is in scant supply. Grade: C+ (Rated PG for sequences of action and scary images, and brief mild language.)

You've read  of  free articles. Subscribe to continue.
Real news can be honest, hopeful, credible, constructive.
What is the Monitor difference? Tackling the tough headlines – with humanity. Listening to sources – with respect. Seeing the story that others are missing by reporting what so often gets overlooked: the values that connect us. That’s Monitor reporting – news that changes how you see the world.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.

QR Code to 'Oz The Great and Powerful' is less than magical
Read this article in
https://www.csmonitor.com/The-Culture/Movies/2013/0308/Oz-The-Great-and-Powerful-is-less-than-magical
QR Code to Subscription page
Start your subscription today
https://www.csmonitor.com/subscribe