National Cartoonists Day illustrates America's love for humor

National Cartoonists Day honors the artists that brought both animated shows and print comics to life. 

|
Lisa Suhay
Quin Suhay, 10, pours over comics from The Virginian-Pilot newspaper in January in an effort to vote for which strip should be eliminated.

Monday is National Cartoonists Day. Families can celebrate by turning to the "funny pages" or sitting down to watch a cartoon together.

While parents often lament the amount of time kids spend watching cartoons and reading comic books or graphic novels, there is truth in jest. A reasonable amount of cartoons – both print and TV – should be a part of a child’s daily diet.

Each May 5, we honor all cartoonists, past and present, for the humor and insights they have brought into our lives. This day celebrates the first color cartoons ever published in America.

According to Duke University library, it all began with the newspaper wars at the turn of the century, when color-printed comics were used to boost newspaper circulation. 

The works of illustrator Richard Outcault's one-panel comic "Hogan's Alley" in 1889 gave birth to the first modern comic strip character, The Yellow Kid, in 1894, according to Duke.

Although Mr. Outcault’s cartoons appeared in Joseph Pulitzer's New York World first, competitor William Randolph Hearst hired the cartoonist right out from under Mr. Pulitzer and "The Yellow Kid" made its debut in Hearst's New York Journal in 1895, according to Duke’s online library.

The precursors to modern comics were the satirical works of artists such as Rodolphe Töpffer, Wilhelm Busch, and Angelo Agostini (who is considered the first Brazilian comic artist).

Comic strips often punctuate family conversations with laughter and little “gotcha” moments when someone’s true nature is captured in ink.

As a kid, I lived for the next installation of the comic strip "Peanuts" by Charles Schulz and related to the trials of Charlie Brown, the mess of Pig-Pen, the overbearingness of Lucy, and the thumb-sucking wisdom of Linus.

My mom still cuts out comic strips and mails them to me and my four sons as a means of communication.

Once a week, an envelope arrives filled with all the “funnies” she spotted and related to her grandsons.

The teenager in the comic Zits is so much like my son Ian, 18, that whenever I want to communicate with him about the state of his room, hair, or driving skills, I cut out the appropriate strip.

Today, when I can’t find a favorite comic in the ever diminishing pages of the newspaper, the kids and I turn to online sources such as Go Comics for our fix.

For our family, the “funnies” have been a way to start conversations about things nobody wants to talk about – be it cleaning your room or dating.

For all four of my sons, comics have been the gateway to enjoying reading in general.

My tactic has been to read the comics to them. They learned to read and we read together. Then, the boys read the funnies on their own, often aloud at the breakfast table.

Back in January, our local paper announced it was reducing its comics offering by one strip and asked readers to vote for the one that had to go.

My son, Quin, 10, took this very seriously.

He made lists of pros and cons for each strip and sent in his choice to the editor along with some choice words for how they “should leave out some of the bad news and make room for comics.”

I shot this Vine video of Quin in his struggles at the time.

The newspaper ended up cutting one of Quin’s favorite strips. He will never forgive them.

Quin has a very special relationship with cartoons as his bridge to a world he often finds hard to grasp, both logically and emotionally.

The Cartoon Network show "Foster’s Home for Imaginary Friends" was one of the very first instances when Quin, at age 3, connected with the outside world in a meaningful way via the character Coco.

Coco is an imaginary friend who is part airplane, part bird, and part palm tree.

She says the word “coco” in place of every word in the English language and yet, via inflection and body language, is perfectly understood by those around her.

Quin didn’t speak more than two words until he was older than age 3. Like Coco, he used a few words in place of all others and repeated them “Coco-style” with various inflections.

One day, he sat with his brothers watching an episode called “My So-called Wife” in which Coco must pretend to be married to Mr. Herriman (a giant rabbit) and be sophisticated, speaking properly, at an event with a potential benefactor.

Mr. Herriman comes up with the plan of asking only questions that would result in the answer, “coco.”

Q: “What is your favorite drink?”

A: “Coco!”

Q: “What’s your favorite shade of brown?”

A: “Coco!”

Q: “Who’s your favorite gorilla who knows sign language?”

A: “Coco!”

Quin was in love. His new word became “coco.”

I ended up writing a thank you letter to the cartoon’s creator, Craig McCracken.

Mr. McCracken responded by sending Quin a sketch of Coco dressed in Quin’s favorite crazy hat and a bunch of Foster’s Home action figures.

We took the toys to the speech therapist and Quin began relating to all the Foster’s characters and using the cartoon toys in play where he tried doing all their voices and saying new things.

While there are plenty of cartoons out there that are not high caliber, parents can still find plenty of reasons to read and watch the good ones with kids today.

You've read  of  free articles. Subscribe to continue.
Real news can be honest, hopeful, credible, constructive.
What is the Monitor difference? Tackling the tough headlines – with humanity. Listening to sources – with respect. Seeing the story that others are missing by reporting what so often gets overlooked: the values that connect us. That’s Monitor reporting – news that changes how you see the world.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.

QR Code to National Cartoonists Day illustrates America's love for humor
Read this article in
https://www.csmonitor.com/The-Culture/Family/Modern-Parenthood/2014/0505/National-Cartoonists-Day-illustrates-America-s-love-for-humor
QR Code to Subscription page
Start your subscription today
https://www.csmonitor.com/subscribe