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Spanish women pick up the old traditions of lacing to connect with ancestral past

Generations of Spanish women gather at the base of the Arc de Triomf to exemplify their time honored tradition of lacing.  

By Maya KrothGuest Blogger / July 31, 2013

Hobbyist lacemakers at work near Barcelona's Arc de Triomf during the 26th annual Lace Day event, held in May.

Maya Kroth

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Barcelona

It’s a sunny Sunday morning at Arc de Triomf, the arch-shaped monument situated on a long rectangular plaza normally dominated by break dancers, street performers and young people on rollerblades, skateboards and bikes—but not today.

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Today the plaza is packed with what look to be at least two thousand Catalan grandmothers, seated at long tables stretching as far as the eye can see. On a stage underneath the arch, a quartet plays traditional music while costumed dancers perform a folk dance involving a pair of gegants, enormous papiermaché puppets that are a staple at cultural events in Catalunya. The women sit in chatty clusters of five or six, their hands busily working a complex of threads and pins stuck into cylinder-shaped pillows.

“It’s an international meeting of lace-makers,” explains Teresa Sabater as she works on the lace for a bridal handkerchief. Hundreds of tiny pins hold the pattern in place on her pillow, organizing an intricate web of individual crisscrossed threads. Dozens of small wooden spools dangle from the threads, looking a bit like the barbs that hang from a bull’s collar during a bullfight, albeit not so gruesome.

As traditions go, lacemaking may not be as old as bullfighting, but it is surely more important to Catalunya, which outlawed the corrida in 2011. Catalan lacemaking dates back to the 1600s, and the tradition remains strong in the villages of the Maresme region of the Costa Brava, where smaller gatherings of lace-makers are held nearly every weekend when the weather is good.

Throughout Spain, lace—whether made by hand or machine—has long been a part of important family functions, from the decorative lace that dresses up the table for special occasions to the delicate mantillas worn by women during Holy Week, inspiring masterpieces by Picasso, Goya and Velasquez. Two hundred years ago, daughters learned the basics of the craft at their mothers’ feet; by their wedding day, young women were expected to equip their new homes with a trousseau full of lace-trimmed linens, stitched by the bride’s own hand. 

 “We like to come here to see new things so we can learn to do them at home,” says Ms. Sabater, who lives in the village of Teià, about a half-hour’s drive from Barcelona. “If you see someone doing a stitch you don’t know, you say, ‘Can you show me how it’s done?’ and she teaches you.” 

Organized by the Catalonian Lace Association, the 26th annual meeting attracted  2,200 lace aficionados on May 26, according to association president Maria-Jesus Gonzalez, as well as a handful of glad-handing politicians. Vendors set up tents around the perimeter where the women browse new patterns and buy bobbins and thread in an array of rainbow colors.

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