'Awake' is one of the best dramas on television
'Awake,' starring 'Harry Potter' actor Jason Isaacs, deftly handles themes of grief without going over-the-top.
(Page 3 of 3)
The most intriguing aspect of Awake, however, is the cast. Killen and executive producer Howard Gordon (Homeland, 24) have assembled a group of actors committed to portraying interesting characters, not caricatures, like so many other programs. Isaacs is unquestionably persuasive as Britten, which, given the diversity of his past film credits, really shows off a natural ability to embody a myriad of roles and make them all feel at once familiar yet original.Skip to next paragraph
Screen Rant had a humble start back in 2003 as a place to rant about some of the dumber stuff related to the movie industry. Since then, the site has grown to cover more and more TV and movie news (and not just the dumb stuff) along with sometimes controversial movie reviews. The goal at Screen Rant is to cover stories and review movies from a middle ground/average person perspective.
'True Detective' director Cary Fukunaga will reportedly direct adaptation of Stephen King's 'It'
Hayden Panettiere: Will she return for the 'Heroes' miniseries?
Anna Kendrick, Rebel Wilson will return for 'Pitch Perfect 2,' star Elizabeth Banks will direct (+video)
Oscars 2014: Nominee 'Her' is all too timely for one husband
Nick Lachey set to make debut as host of 'Big Morning Buzz Live'
Subscribe Today to the Monitor
High marks as well to Laura Allen and Dylan Minnette, who are primarily tasked with being signifiers of grief, but still manage to make Hannah and Rex into actual people. Allen in particular, takes the notion of coping mechanisms and, instead of making them a point of direct conflict, guides them into potential worry down the line. Redecorating, enrolling in school, moving, getting pregnant…Hannah is moving a mile a minute, and her trajectory is going to put her at odds with Britten’s need to maintain his duality. Yet through it all, Allen convincingly portrays Hannah with a sense of sorrow and intense desire to move on.
In the end, the viewer comes to want the existence of two realities to be as real as Britten does. The moment when the two realities cross over actually comes off as an interesting way to engage the viewer in the procedural aspect of Britten’s job, but also forces Britten to make more of his situation than simply coping with the loss of his loved ones. Again, it is the hint of something more, driving the purpose of this duality that comes to light in the articles of importance as they relate to each case Britten is investigating.
One of the best things about Awake is the way it expertly avoids many of the clichés that are so often attached to dramas of this nature. Those grieving aren’t prone to violent outburst or flights of recklessness that have become stock Hollywood examples of dealing with a loss. Instead, most of the characters, and especially Britten, choose to internalize the grief and cope by listening to what is said to them, and choosing to respond with contemplation, as opposed to a flat out counter. It is key that Britten listens to his therapists, even though he may disagree, otherwise the interplay between them, which is arguably the cornerstone of this story, will not work. Thankfully, Awake handles that interaction skillfully – specifically when Dr. Evans tells Britten to communicate to Dr. Lee that the whole situation is not as simple as he makes it sound. And that’s just it: Awake is not as simple as it may sound, and that is the beauty of this incredibly gripping show.
Kevin Yeoman blogs at Screen Rant.
The Christian Science Monitor has assembled a diverse group of music, film, and television bloggers. Our guest bloggers are not employed or directed by The Monitor and the views expressed are the bloggers' own and they are responsible for the content of their blogs. To contact us about a blogger, click here.