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'Chronicle' is an interesting twist on found-footage movies and superheroes (+trailer)

'Chronicle' stands out from the found-footage crowd with a creative story and a cast of likable actors

By Ben KendrickScreen Rant / February 3, 2012

'Chronicle' stars Alex Russell (l.), Michael B. Jordan (center) and Dane DeHaan (r.) play a trio who have a strange encounter that leaves them with telekinetic abilities.

Alan Markfield/HONS/20th Century Fox/AP


Found-footage films have become an increasingly bankable and a low risk prospect for movie studios. Audiences continue to fill theater seats in search of the next compelling found-footage franchise – even if a film doesn’t sport high production values or recognizable actors. That said, the genre has typically enjoyed its biggest successes with horror fans – and is mostly untested in other film categories.

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With Chronicle, first time feature-film director Josh Trank tries to deliver compelling character drama and entertaining onscreen action – as well as prove that there’s more opportunity in the genre than just spooky jump scares.

As moviegoers become more selective about the never-ending flood of superhero and found-footage “me too” projects available to them, it would be easy to write-off Chronicle as just another trendy cash-grab. However, after a string of less-than-satisfying faux “documentaries” (such as The Devil Inside) and high profile, but ultimately uninspired hero flicks (such as Green Lantern), it’s safe to say that Chronicle is poised to genuinely surprise a lot of moviegoers with intriguing characters, cool visuals, and an increasingly gripping central storyline.

Following the exploits of average teens Andrew (Dane DeHaan), Steve (Michael B. Jordan), and Matt (Alex Russell), Chronicle begins when the friends encounter a mysterious entity that – after afflicting them with days of bloody noses – results in the trio developing advanced telekinetic abilities. The boys quickly discover that their newfound super powers can be manipulated, honed, and strengthened – resulting in the ability to control larger objects, as well as mimic other traditional enhanced “abilities,” such as flight and invulnerability. However, as their powers increase, so does their potential to unintentionally (or intentionally) cause harm to others. Ultimately, the friends agree to keep their abilities in check, but it’s a delicate balance that one member of the group – the proverbial loner who has suffered physical and emotional abuse at home and at school – isn’t as ready to accept.

While there’s no shortage of awkward ways in which the events of Chronicle are caught on film (especially in the last act, where none of the primary characters have time to carry actual cameras around), some of the implementations represent a major step up for the genre. Early on, Andrew perfects the ability to move the camera with his telekinetic powers – resulting in much more dynamic and fluid cinematography that subsequently allows all the characters to be in various scenes, instead of always having one hiding behind the camera. While that method obviously can’t be applied to other found-footage films, it doesn’t detract from the creativity of the Chronicle filmmakers, who were especially methodical in delivering both an entertaining and unique movie that’s made better because of its found-footage format.

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