Comic book artist Chris Sprouse announced that he was leaving a “Superman” project on which he was working with sci-fi author Orscon Scott Card because of the controversy surrounding the writer’s views against gay marriage.
Card was hired to write a story in the anthology series “Adventures of Superman,” with Sprouse illustrating, but the artist said he became uneasy with the project after news coverage of Card’s views.
“The media surrounding this story reached the point where it took away from the actual work, and that's something I wasn't comfortable with,” Sprouse said in a statement. “My relationship with DC Comics remains as strong as ever and I look forward to my next project with them.”
DC Comics, the company behind the series, said in a statement that it “fully support[s], understand[s] and respect[s] Chris's decision to step back from his Adventures of Superman assignment. Chris is a hugely talented artist, and we're excited to work with him on his next DC Comics project."
The story by Card and Sprouse was supposed to appear in an anthology series of “Adventures of Superman,” which was scheduled for a release later this year, but a new story will take its place. However, DC Comics said in its statement that it will “will re-solicit the story at a later date when a new artist is hired,” so Card’s narrative will presumably see the light of day at another time.
Renewed discussion over Scott’s views against gay marriage started when the company announced that the “Ender’s Game” author would be behind a “Superman” story. The news was greeted by a petition on the website AllOut.org requesting that DC remove Card from the anthology. The petition currently has more than 16,500 signatures.
Before it was announced that the story had been postponed, some comic book shops, such as Floating World Comics in Portland, Ore., had said that they would donate any proceeds from Card’s story to LGBT organizations. Some others, such as Zeus Comics in Dallas, Texas, said they would not be selling the issue.
Card, who is a practicing Mormon, has written multiple times about his views on gay marriage and homosexuality. In a 1990 column for the magazine Sunstone, in which he discussed the issue of homosexuality in The Church of Jesus Christ of Latter-day Saints, Card wrote that “the Church has no room for those who, instead of repenting of homosexuality, wish it to become an acceptable behavior in the society of the Saints…. Laws against homosexual behavior should remain on the books, not to be indiscriminately enforced against anyone who happens to be caught violating them, but to be used when necessary to send a clear message that those who flagrantly violate society's regulation of sexual behavior cannot be permitted to remain as acceptable, equal citizens within that society.”
Later, in an article for The Rhinoceros Times, Card wrote that “calling a homosexual contract 'marriage' does not make it reproductively relevant and will not make it contribute in any meaningful way to the propagation of civilization.”
There's another sad chapter in the Johah Lehrer fabrication fiasco.
Some seven months after the bright young writer quit his prestigious position as staff writer for The New Yorker following allegations that he fabricated quotes in his bestselling book “Imagine” comes news that publisher Houghton Mifflin Harcourt is pulling another of his books, “How We Decide.”
The publisher announced Friday it will no longer sell copies of Lehrer’s second book after an internal review revealed significant problems with the text.
“After completing our fact-check process for Jonah Lehrer’s work, we have decided to take ‘How We Decide’ off sale,” Lori Glazer, Harcourt’s executive director of publicity, wrote in an e-mail, according to the New York Times. “We have no plans to reissue it. We do plan to continue to sell ‘Proust Was a Neuroscientist.’”
Houghton Mifflin Harcourt also said it will offer refunds to those who have purchased the book, which explains how people make decisions and how decision-making can be improved.
Though the publisher never revealed why it decided to discontinue selling the book, Michael Moynihan has offered some insight. Moynihan is the writer who uncovered fabricated Bob Dylan quotes in Lehrer’s book “Imagine” after earlier allegations that Lehrer had re-purposed quotes in several New Yorker blogs.
Moynihan wrote a piece in the Daily Beast explaining that he privately provided Houghton Mifflin Harcourt with “problematic passages gleaned from a cursory look at ‘How We Decide.’” He goes on to cite a quote from a pilot whom Lehrer said he interviewed for the book but who actually made an almost identical statement some 20 years earlier in a lecture to NASA.
“Even after the Dylan fiasco, after Imagine had been pulped, and after he publicly declared that the 'lies were over now,' Lehrer told me via email that he had indeed interviewed Haynes – providing an email thread of their initial communication – and that the pilot had said the exact same thing, in the exact same language, to him 20 years later,” Moynihan wrote in his Daily Beast piece.
We’re sad to see a promising young writer further disgraced and hope, as Moynihan wrote, that “here ends the whole squalid saga.”
Husna Haq is a Monitor correspondent.
It’s that much-anticipated time of year when competitors face off, eliminating contenders through a series of face-offs, as fans cheer on their favorites.
Oh, and we guess March Madness is going on, too.
The ninth annual Tournament of Books, founded by the magazine The Morning News, began yesterday and will choose the best book of the year through a March Madness-style bracket system. This year, the competition is presented by Nook by Barnes & Noble.
The idea for the event first arose, according to commentator Kevin Guilfoile, during an argument between editors and writers for The Morning News about how absurd book awards were. The assembled staff members discussed how they both loved and hated book awards because, while they seem arbitrary, they do at least spark discussion about what makes a good book. (“We love the conversation, the attempt to focus the world's attention on great literature,” Guilfoile wrote for an article in the Chicago Tribune).
So The Morning News staff decided to start their own competition, honoring the best of literature that year but also acknowledging how subjective such decisions can be. Here is the tournament as they devised it: Each judge read two books and then select one to move on to a new round. Guilfoile and writer John Warner would discuss each decision as “color commentators.”
“Each judgment, subjective and arbitrary, would expand and evolve into a (mostly) thoughtful conversation about contemporary literature,” Guilfoile wrote.
The competition also includes a portion called the Zombie Round, in which readers can voice their choices for their favorite titles and, by doing so, bring back to the competition two contenders that had been eliminated.
The final winner is crowned with the title of the Rooster (named after essay writer David Sedaris’s brother, Paul, who is the subject of several Sedaris stories and goes by the nickname of Rooster).
The judges this year include journalists such as New York Times Magazine writer and “This American Life” contributor Jack Hitt and Wall Street Journal and Barnes & Noble Review writer Stefan Beck as well as authors Tony Horwitz, who recently released “Midnight Rising: John Brown and the Raid That Sparked the Civil War,” and “The Magician King” author Lev Grossman. There are eight opening round judges, four quarterfinals judges, two semifinals judges, and two zombie round judges. All judges contribute to the championship decision.
This year the opening round of the Book Tournament is scheduled for March 7 with the face-off of “The Round House” by Louise Erdrich versus “The Fault in Our Stars” by John Green. (Check out the full list of hopefuls here.)
One slot for a competitor was left empty and the decision as to which book would fill it was left to Nathan Bradley, an Army officer and author. Bradley read the three war-themed titles “Billy Lynn’s Long Halftime Walk” by Ben Fountain, “The Yellow Birds” by Kevin Powers, and “Fobbit” by David Abrams to choose which would compete. Bradley chose “Billy Lynn’s Long Halftime Walk.”
It didn’t take long for Jesse Jackson Jr. to follow the footsteps of other disgraced politicians – right to a publisher.
That’s right, the former Democratic representative from Illinois – who’s recently been plastered across headlines for misusing at least $750,000 in campaign funds over seven years – is writing a memoir.
According to the Chicago Tribune, Jackson Jr. is writing a memoir to “clear up his legacy.”
“He has nothing else to do right now,” the source told the Tribune. “He's desperately trying to change the narrative of his life story.”
The former congressman and son of the Rev. Jesse Jackson pleaded guilty Feb. 20 to misusing more than $750,000 in campaign money over the course of a seven-year shopping spree in which he bought such items as a Rolex watch, furs, a cruise, celebrity memorabilia, and two stuffed elk heads. He will be sentenced June 28 and is facing up to 57 months in prison.
In the meantime, it seems, he’s turned to pen and paper to begin his redemption. It wouldn’t be the first time a disgraced politician took the familiar route.
There’s Arnold Schwarzenegger, of course, who came out with a doorstopper of a book, titled “Total Recall," after news emerged of his affair with his housekeeper, Mildred Baena, with whom he had an affair and fathered a child.
And from Jackson Jr.’s own state comes the example of disgraced former Gov. Rod Blagojevich, who wrote “The Governor,” in which he blamed his downfall on prosecutors and political enemies, while awaiting trial. He was eventually convicted of trying to sell a US Senate seat in exchange for campaign cash.
That’s the illustrious band of characters Jackson Jr. joins in his latest writing venture (it’s not his first – ironically, his first book was a collaboration with his father on a personal finance book, “It’s About the Money.”)
The only problem – Jackson Jr. hasn’t yet found a publisher and industry watchers say it won’t be easy.
“Had he not been accused of a crime, and now... pled guilty to a crime, there might have been a market for a book from him. But now he’s tainted. It’s going to be tough,” publicist Glenn Selig told CBS Chicago. Selig helped former Gov. Rod Blagojevich get his book "The Governor" published before he was convicted of corruption charges.
“To get big money you'd need a publisher who is really, really interested in his story,” Gail Ross, a lawyer and literary agent in Washington, told the Chicago Tribune. “Most people I work with don't want to line the pockets of a crook.”
If recent history is any indication, however, we think it’s just a matter of time before Jackson Jr. lands a publisher – and lands in a bookstore near you.
Husna Haq is a Monitor contributor.
This week, Catholic cardinals are gathering in the world's smallest country to set about the task of making the biggest news on earth. Their job: choose the leader of the world's largest Christian faith. Under the soaring work of Michelangelo in the Sistine Chapel, they will consider the future of a troubled church at a conclave expected to begin within days.
We don't know exactly what happens in these secretive meetings, if there's yelling or note-passing, moments of laughter, or hours of tedium. But it is clear that certain things are verboten, at least if they're blatant: politicking, horse-trading, and self-promotion.
Still, this is a political process. Why does the church choose popes this way? How influential are Italian cardinals? And is this even a good system in the first place?
For answers, I turned to Frederic J. Baumgartner, professor of history at Virginia Tech and author of 2003's "Behind Locked Doors: A History of Papal Elections."
Q: A conclave is actually a form of democracy, isn't it? How did popes begin to be chosen by a group of men?
A: In the early church, the Christian community as a whole chose the bishop. It wasn't a process of election as such, or at least what we'd call an election. It was a system of acclamation. Someone said, "I'd like to be bishop," and they were chosen by consensus.
Over time, it evolved into a system in which the clergy of the city had the right to choose the bishop. The problem was that once the Holy Roman Empire became powerful, it was able to manipulate the clergy. In the 900s and early 1000s, the choice was really that of the emperor: He chooses the pope and the clergy does the rubber stamping.
The decision was made in 1059 to take the clergy of Rome out of the system and have the chief bishops of Italy do the choosing, primarily as a way of reducing the Holy Roman emperor's influence. But his influence was never eliminated by any means until the disappearance of the Austrian emperor after World War I.
Q: How influential were the wishes of Catholic rulers from powerful countries like France and Spain?
A: They had the right of exclusion. There were times when cardinals came up from Paris or Madrid or Vienna with a list of cardinals that their rulers would not accept.
There were always those cardinals who said, 'We shouldn't pay any attention to those guys.' But a majority of cardinals agreed there would be too much of a schism if they supported someone who was opposed by a Catholic ruler.
Q: We know about the many craven popes of the distant past. How did this system produce such scoundrels?
A: Certainly part of the problem was the choices: They were choosing bad popes because they had bad cardinals.
Renaissance cardinals were basically Renaissance popes in miniature, little different than the popes they elected. They were wealthy, had children, and politicked like crazy in their city states, kingdoms, or countries.
They were basically making bad choices because there was nothing to choose from but bad choices. There were two popes in the 16th century who were pious men and outside the realm of Renaissance popes, but they both had short reigns.
Q: How does the voting work now?
A: You have to get a two-thirds majority. And you can't vote for yourself.
The way they used to check on that has disappeared, so that may not be enforceable anymore. You used to have to put a motto on your ballot, and they'd check it. The story is that when Benedict XV became pope [in 1914], he was elected by the minimum number. One cardinal demanded that the ballots be checked to make sure he didn't vote for himself, and that apparently deeply offended him.
Q: What if it takes a long time to reach a conclusion?
A: It's taken years, actually, and once it took three years to elect a pope. They finally locked the cardinals in a palace to force them to make a decision. And when they still didn't make a decision, the local people are supposed to taken the roof off the palace. Someone humorously said it was to let the holy spirit in.
Q: Could that happen this time? Could they take off the roof?
A: They'd probably do too much damage to the Sistine Chapel.
Q: Good point. How do the cardinals make choices if politicking is frowned upon?
A: They can't openly politick for each other or themselves. A cardinal can't go have a dinner meeting with three or four of his fellow cardinals and say, "Vote for me," and one of his friends can't do that. That kind of open politicking is specifically barred.
What you can do is talk about the cardinals and what their beliefs and opinions are. Someone like Cardinal George of Chicago who doesn't spend much time in Rome might be talking to someone who's based in the curia to find out about the strong candidates, what their views are, what their health is, whether they are strong or vigorous enough to do the job.
A lot of these guys may be seriously ill or have debilitating disease, which would make it difficult for them to be pope.
Q: How about the kind of you-scratch-my-back-and-I'll-scratch-yours kind of politics that we're so familiar with here in the US?
A: You can't horse-trade, at least openly. You can't say, "If you make me secretary of state, I'll vote for you." But you can find out from a friend of cardinal what he thinks about you and who he thinks might make strong possible choices as secretary of state.
Q: Has a conclave ever occurred during as much of a crisis atmosphere as the church is facing today?
A: There have been certainly been times when the papacy and church were in the midst of a serious crisis at the time of a conclave.There have been times when France and Spain, both Catholic countries, have been at war with each other. And the elections of the 16th century occurred during the Reformation. One could argue that the conclave of 1534 took place during a much more serious state of crisis because of the threat of the Reformation and the issue of how to respond to it.
Q: How will things be different now considering that the previous pope is still living?
A: The fact that he's still alive has got to have some impact on their voting and their balloting, But I think Benedict will make every effort at not influencing the election. To the extent that he really will is a different question entirely. It's one thing to vote for someone who wasn't in the graces of the previous pope when he's dead. But when he's alive, it might be quite different.
Q: What are some of the issues raised by the existence of a former pope?
A: One of the objections to popes abdicating or resigning is that he'll still be around. When the new pope changes policy, there could easily be a schism within the church by those who insist on the old pope's point of view.
Q: How much influence do the Italian cardinals have over the process?
A: They have a home-field advantage and the biggest voting bloc. It was a bit surprising when two popes in a row were elected who weren't Italians.The real question is whether there are any Italian cardinals who are respected enough to be elected. I expect there are.
Q: What are the strengths of the system as it is?
A: The official position about why they do it this way is it give a sense of mystery to outsiders, which is never a bad thing. Being too transparent ends up being a problem. And this way covers up the politics that do take place. A cardinal would tell you it provides an atmosphere in which the holy spirit is free to operate. The truth of the matter is that, far too often, the holy spirit could have hardly been present considering what happened.
Q: Do you think the process is a good one in modern times?
A: For the most part, they've elected decent men as popes in the last several hundred years. The system has continued to work reasonably well. But speaking as a historian, I would dearly love to get the information about what happened in the conclave, at least a couple years after it was over. From that point of view, the system works too well.
[Curious about the last time a pope resigned? Read my Q&A interview with historian Jon M. Sweeney, author of 2012's "The Pope Who Quit: A True Medieval Tale of Mystery, Death, and Salvation." For more on the history of Christianity, check my interviews with religious scholars Elaine Pagels ("Revelations: Visions, Prophecy, and Politics in the Book of Revelation"), Bart Ehrman ("Did Jesus Exist?: The Historical Argument for Jesus of Nazareth"), and Adam C. English ("The Saint Who Would Be Santa Claus: The True Life and Trials of Nicholas of Myra").]
Randy Dotinga is a Monitor contributor.
A Holocaust survivor who was rescued by Oskar Schindler as a teen has written a memoir about his experiences.
Leon Leyson died this January after sending his manuscript, titled “The Boy On the Wooden Box,” to the publisher Atheneum. Leyson was 13 when he was taken from a ghetto in Poland by Schindler and lived in the US after World War II, speaking across the US at different times about his experiences.
“The Boy On the Wooden Box, will be released Aug. 27, according to Atheneum. The publisher said the book will give an “unprecedented perspective” on Schindler.
The story of Schindler became famous through Steven Spielberg’s 1993 film “Schindler’s List,” which won an Oscar for Best Picture and is now often cited as one of the best films of all time. Actor Liam Neeson portrayed Schindler, a business owner who employed more than a thousand Jewish workers in his factories, located in the Czech Republic and Poland, to save the workers from the Holocaust.
The movie itself was based on a novel titled "Schindler's Ark," released as "Schindler's List" in America, which was written by Australian author Thomas Keneally and released in 1982. The novel won the Booker Prize in 1982. Keneally wrote the book after hearing the stories of Leopold "Poldek" Pfefferberg, a Holocaust survivor from Poland who was a worker in one of Schindler's factories.
The Ancients adored their cats, memorializing them with the majestic sphinx. Through well researched non-fiction juvenile books like "Secrets of the Sphinx" by James Cross Giblin, I discovered the genesis of their ardent worship.
However, I must confess that I remain perplexed about educators’ contemporary love affair with one particular feline, a cat renowned for his red-and-white horizontally striped cap. Every year, come March 2 (the birthday of Theodor Seuss Geisel, a.k.a., Dr. Seuss), reports about middle school principals (re)reading "The Cat in the Hat" to a generation of "Hunger Game" enthusiasts abound. Photographs capture strapping high school football players as they attempt to woo second graders from Gerald and Piggie to gaze (yet again) at that same cat in that same hat.
One reporter speculated that "The Cat in the Hat" remains popular because it stayed within the boundaries of political correctness. The notion of political correctness as a gauge for choosing children’s books is ... well, disturbing.
Fifteen years ago, The National Education Association instituted “Read Across America” (celebrated on or near Dr. Seuss's birthday) as a venue to celebrate reading. In the ensuing years, this thoughtful idea has digressed to merely celebrating one book. At the risk of being labeled an iconoclast, I confess the purpose of this essay is to call for a moratorium on reading "The Cat in the Hat" for one year. To that end, I envision 365 days in which teachers, parents, and children read other feline-friendly books that may have been overlooked in the long, dark shadow of that cat’s hat.
My poem foreshadows how the year might progress:
The sun will still rise
When “the cat” goes away
We’ll meet many fine felines
Reading books day by day.
Books with Fabian,
And his friend Hondo too
And we’ll say, “How we love
Learning what new cats can do!”
We’ll follow one so silky and smooth
Wandering Harlem, this cat’s on the move.
With dear old Chester we’ll chuckle and sigh,
We’ll even remember when cats could fly!
Then we’ll read that once cats had paws, but no purr
Some like feathers for lunch and wear ink-covered fur.
We’ll join a kitten as he discovers the moon,
And remember dear Barney, who died too soon.
Yes, we’ll sit there with Sally
Millions of cats at our feet
Realizing a year minus Seuss
Is undeniably sweet.
Author’s Note: Please use this poem as a pretest. If you cannot identify the books related to these felines, perhaps you too should abstain from reading "The Cat in the Hat" for one year.
-Anita Voelker is an associate professor of education at Messiah College in Grantham, Pa.
@Pentametron is a very unusual Twitter account. Its Twitter page touts its unique purpose: "With algorithms subtle and discrete / I seek iambic writings to retweet."
In an interview with NPR Ranjit Bhatnagar, the creator of Pentametron, explains how it works: "I'd been interested in playing around with the idea of poetry; I was kind of inspired by the exquisite corpse games of the surrealists," he says.
But Bhatnagar is also a self-described "big nerd." So after studying Twitter's API ("the systems that let programmers talk to Twitter"), he realized that there was a way to subscribe to Twitter that would allow him to "receive just an endless waterfall of tweets from them."
Such a prospect might not excite the average person but Bhatnagar, as a poetry-loving techno-type, saw some interesting possibilities in that waterfall. "And what I ended up doing was combining my interest in surrealist poetry and Twitter's API and Pentametron came out of that."
Pentametron finds tweets that happen to be in iambic pentameter (the same meter used by poet William Shakespeare) and matches them to other tweets in the same meter that rhyme. An example:
good music never makes the radio
I really want a chicken salad tho !
Each sentence is from a different user. Sometimes they are disparate and surreal, other times they kind of work together, like this couplet:
The only journey is the one within.
That's when the flashbacks started to begin.
The program produces about 20 couplets a day and currently has more than 7,000 followers.
After the shootings at Sandy Hook Elementary School in Newtown, Conn., last December, students and faculty at Slippery Rock University wondered what they could do. Then Alice Del Vecchio, assistant professor of professional studies at the Pennsylvania school, had an idea.
"What better way to celebrate young readers who were killed than to give the gift of reading to others?" she asked.
So Del Vecchio and the school's Student Nonprofit Alliance organized the "We Can Read!" book drive that ended last month. The drive collected and distributed more than 10,000 books nationwide.
“The project honors the children and their teachers and staff killed at Sandy Hook Elementary in a very special way," said Del Vecchio. "The children’s book drive will keep the spirit of those young readers alive and pass on the joy of learning to read to children far and wide.”
Participants were asked to purchase their favorite children's book, read it to a child, and then donate it to "We Can Read!" The books would then be sent to regional libraries, elementary schools, day care centers, and other similar programs for children.
Del Vecchio got the idea when she watched an interview with a parent of a child killed in the school shootings. He was saying that his daughter Emilie had recently learned to read, and enjoyed sharing stories with her siblings. It occurred to Del Vecchio that sharing books with children nationwide would be a wonderful way to honor the young readers of Sandy Hook.
The Pittsburgh Post-Gazette picked up the story in December at the beginning of the drive. "Even if you've never been a parent or a teacher, you learned how to read," Del Vecchio told the Post-Gazette. "You remember sitting on somebody's lap and feeling safe. And then the first time you could read the story all by yourself, remember how excited you were."
According to the Slippery Rock student newspaper The Rocket, the drive has collected and distributed more than 10,000 books nationwide. More than 21 individuals and organizations across the country also organized their own "We Can Read!" or similar book drives. Those books have also been distributed to schools across the country.
The "Read Kansas City" initiative joined on for the months of January and February and collected about 6,000 books. The Connecticut PTA also signed on, and urged other PTAs across the state to participate as well.
The Slippery Rock effort culminated with the sending of Valentine's Day cards to the Sandy Hook school and Emilie's parents.
The National Book Critics Circle awarded its top prizes for 2012 to already well-received works such as “Billy Lynn’s Long Halftime Walk” by Ben Fountain and “The Passage of Power: The Years of Lyndon Johnson” by Robert Caro.
Fountain’s novel won the fiction award for the NBCC, while Caro’s work picked up the biography prize and Andrew Solomon’s book “Far From the Tree: Parents, Children, and the Search for Identity.”
The NBCC's 2012 poetry award went to D.A. Powell’s work “Useless Landscape, or A Guide for Boys.” The criticism award went to author Marina Warner for her book “Stranger Magic: Charmed States and the Arabian Nights.” “Swimming Studies” by Leanne Shapton won the autobiography prize.
Monitor fiction critic Yvonne Zipp called “Billy Lynn” an “absurdist portrait of the war and modern society painted with brush strokes laid as precisely and as viciously as a whip.”
“Having been away for months, Lynn returns to his own homeland as a stranger, and the dissonance is both uncomfortable and revealing,” Zipp notes.
“The Passage of Power,” meanwhile, demonstrates that “Caro long ago mastered his subject – Johnson and power,” according to Monitor reviewer Erik Spanberg.
“With characteristic detail and precision, Caro frames the assassination from Johnson’s vantage point, providing a horrifying, pulse-pounding account of what it was like for a humbled man – even one as ambitious and power-hungry as LBJ – to shoulder the grief and burden of an entire nation,” Spanberg wrote.
William Deresiewicz, critic, blogger, and author of "A Jane Austen Education," was awarded the Nona Balakian Citation for Excellence in Reviewing, while the Ivan Sandrof Lifetime Achievement Award went to Susan Gubar and Sandra Gilbert.
The prizes were given out in the Tishman Auditorium at New York’s New School.
The nonfiction prize for last year went to Maya Jasanoff’s work “Liberty’s Exiles,” while the fiction award was given to Edith Pearlman’s short story collection “Binocular Vision.”