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Declaring His Genius

In his 1882 lecture tour of the US and Canada, Irish wit Oscar Wilde let his clothing and set design do half the work.

By Bob Blaisdell / January 3, 2013

Declaring His Genius By Roy Morris Jr. Harvard University Press 264 pp.

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Before he had written anything for which he is now famous, Oscar Wilde was already famous for being himself. He always had the nerve, talent, and wit to create in public the man he was and wanted to be, as depicted in this vignette from Roy Morris Jr.'s biography: “When a customs officer asked him if he had anything to declare, Wilde had supposedly replied, ‘I have nothing to declare except my genius.’”

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The wittiest man in London was a leading tastemaker when, at the age of 27, he decided to go to America to promote a Gilbert and Sullivan operetta and, more importantly and busily, to lecture on interior decorating. “Have nothing in your house that has not given pleasure to the man who made it and is not a pleasure to those who use it,” he instructed, echoing one of his mentors, the critic John Ruskin. “Have nothing in your house that is not useful or beautiful.”

As presented in Richard Ellmann’s 1988 biography, we were able to imagine the first three-quarters of Wilde’s life as a situation comedy. Born in Dublin in 1854, the son of amusing, high-society, Irish patriots, Wilde went on to Oxford (“My Irish accent is one of the many things I forgot at Oxford”), before making his splash in London drawing rooms. By 1882, Wilde had published a book of poems and written a couple of unremarkable plays, as he had not yet decided to become the funniest of English language playwrights.

Who else could have made up his mind to become a literary genius and accomplished it? There’s only one Oscar Wilde. But for all his brilliant showmanship, wrote one of his friends, “Those who have known him as I have since he was a child at my knee know that beneath the fantastic envelope in which his managers are circulating him there is a noble, earnest, kind and lovable man.”

In the dozen years after his return from his whirlwind 1882 tour that Roy Morris, Jr., covers in Declaring His Genius: Oscar Wilde in North America, Wilde married, had children, and became about the most renowned playwright of the century. Then, as he pushed both his luck and his idealistic confidence in justice, the roof caved in. After a series of ugly lawsuits, Wilde found himself jailed for two years for his homosexual relationship with one of the most abhorrent young men in literary history. At the age of 46, Wilde, broken and ill, died in Paris.

On his tour of the US and Canada, Wilde delivered 140 lectures; the one-man media sensation was sometimes a trooper and occasionally a prima donna. He addressed audiences of hundreds and of handfuls. He does not seem to have been a dynamic speaker, however, or to have made a special effort to engage his particular audiences. In Chicago, a journalist remarked, “Oscar spoke of the ‘beautiful in art,’ and the ‘joy in art,’ and it was all Greek to the men and women who listened to him.”

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