Skip to: Content
Skip to: Site Navigation
Skip to: Search

Hemingway's Boat

From global acclaim to suicide: Paul Hendrickson examines the three final decades of Ernest Hemingway.

(Page 2 of 2)

By connecting Hemingway’s moods and accomplishments to his time with and away from Pilar, Hendrickson connects the man (young, middle aged, and old-ish) to the sea. The connecting thread of the boat helps Hendrickson understand for himself – and then explain to readers – Hemingway’s alternating jags of cruelty and compassion toward his four wives, his three sons, his hired help, his fellow writers, his editors, his friends and enemies on solid land, and his friends and enemies on the water, all sharing the boat. Wisely employing thousands of letters Hemingway wrote and retained, Hendrickson is able to explain what happened as it happened, supplemented by wise use of oral histories, memoirs, traditional biographies, and interviews with a few individuals still living who knew Hemingway well, or at least the children of those individuals who recall anecdotes passed on to them.

Skip to next paragraph

As always, Hendrickson writes so well that every page is a pleasure to absorb. He is also honest, sometimes excruciatingly so, about the gaps in his knowledge and the inner turmoil caused by his speculations, however well grounded in the best available evidence.

My only criticism of “Hemingway’s Boat” is related to the final third, as Hendrickson struggles to figure out the meaning of the relationship between the famous writer and son Gregory, who found a career as a physician and a tortured life as a transvestite. Too much Gregory in the book for my liking, because the narrative and the speculation about him becomes repetitious and Pilar seems forgotten for a while. Other readers might disagree with my reservation. In any case, “Hemingway’s Boat” is educational and enthralling, an obviously desirable combination.

Also newly available is the first of numerous planned volumes, “The Letters of Ernest Hemingway,” edited by scholars Sandra Spanier and Robert W. Trogdon, published by Cambridge University Press. The letters in volume one cover 1907-1922. Hemingway as a young man said to fellow author F. Scott Fitzgerald: “[D]on’t you like to write letters? I do because it’s such a swell way to keep from working and yet feel you’ve done something.”

Spanier, an English professor at Pennsylvania State University, and Trogdon, an English professor at Kent State University, have collaborated with other scholars as well as non-academics to round up as many letters from and to Hemingway as possible. The first volume covers letters from Hemingway’s childhood, World War I experiences, and his decision to reside in Paris. The letters are skillfully annotated, the photographs are revelatory, and every other aid to learning about Hemingway throughout the book feels just right.

I hope that by the time I have absorbed the richness of Volume 1, the next volume will be ready.

Steve Weinberg is a member of the National Book Critics Circle.

Join the Monitor's book discussion on Facebook and Twitter.


Read Comments

View reader comments | Comment on this story