National Book Award prizes announced

Matthiessen, a world traveler, naturalist and founder of the Paris Review, is one of the great names in modern letters, but few — including Matthissen — expected to see him nominated this year. His novel, neither new nor old, condenses and deepens his previous work about a ruthless landowner from the Florida Everglades.

As he wrote in the book's foreword, he had never been happy with the second volume of the trilogy, "Lost Man's River," and so returned to the rural Florida setting of the early 20th century and retold his Faulkernian epic of a community haunted by a violent and racist past.

"This book was quite a trial for everybody, including me," he said, thanking his publisher, the Modern Library, for agreeing to release the new work. "They (the original books) weren't bestsellers. They didn't make a lot of money."

The other fiction finalists, whose books all revolved around themes of exile and return, were Marilynne Robinson's "Home," Aleksandar Hemon's "The Lazarus Project," and debut authors Salvatore Scibona ("The End") and Rachel Kushner ("Telex From Cuba").

Runners-up in nonfiction were Jane Mayer for "The Dark Side," a close look into the war against terrorism; Jim Sheeler's "Final Salute"; Joan Wickersham's "The Suicide Index"; and Drew Gilpin Faust's Civil War history, "This Republic of Suffering."

In poetry, the nominees were Frank Bidart, for "Watching the Spring Festival"; Mark Doty, "Fire to Fire: New and Collected Poems"; Reginald Gibbons' "Creatures of a Day"; Richard Howard's "Without Saying"; and Patricia Smith, for "Blood Dazzler."

The other young people's literature finalists were Laurie Halse Anderson's "Chains," Kathi Appelt's "The Underneath," E. Lockhart's "The Disreputable History of Frankie Landau-Banks" and Tim Tharp for "The Spectacular Now."

Winners each received $10,000.

The awards, founded in 1950, are sponsored by the National Book Foundation, a nonprofit organization that offers numerous educational and literary programs.

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