More than a puppet on a string in Thailand

A lone Thai puppeteer singlehandedly revives the demons, monkey gods, and fair ladies of old.

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The synthesis of these disciplines is a modern twist on tradition in which uniformly dressed puppeteers – as many as three manipulating a single 45-inch puppet – are in full view as part of the act. They dance synchronously in a graceful ballet to the undulating tempo of a 10-man orchestra of vocals, xylophones, flutes, cymbals, drums, and gongs. (Impromptu comedy routines after shows are a further innovation designed to enliven performances.)

Yet for all those skills that go into manipulating them, puppets are allowed to steal the show – as they should. For their handlers, they're no mere wood and textile contraptions. According to animistic beliefs held by many Thais, puppets like these are imbued with their own spirit. No puppeteer will touch them before first humbly seeking their permission by bowing low while pressing palms together in a traditional wai.

"What's fascinating about the [Joe Louis] theater," says Mitsuko Yamashita, a Japanese art historian who wrote her thesis on the theater, "is that it reaches out to modern audiences while keeping the traditions. Over the past three years, I've seen puppets and puppeteers grow in their art together."

Sakorn's real achievement, Ms. Yamashita and others say, is not simply having revived classical puppetry but having endeared it to the masses.

"In Buriram [a province in the country's impoverished northeast region], boys even sold their shoes so they could afford the 30 baht entrance fee [less than a dollar]," Surin says. "We bought them new shoes and promised to bring back the puppets soon."

Internationally, too, the theater is gaining recognition. Last year the Thai troupe won in the Best Cultural Performance category at the World Festival of Puppet Art in Prague, Czech Republic.

"I am old now, and my wish," says Sakorn as he fondles the puppet of the demon Rahoo, "is that when I die, my puppets won't die with me."

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(Mary Knox Merrill/Staff)
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