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Backstory: Church of the higher tech

The Rev. Mike Laird has the church meet in a movie theater for the same reason he leads a theology discussion group in a nearby bar: People feel at ease in the environment.

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Others feel churches aren't using new media enough in services. For ones that do, experts say a few principles govern the effectiveness of the technology. Mr. Jewell, for one, believes it works best when the gadgetry is not the focus of attention. He suggests using home-grown images and sounds that strike a chord with the congregation. The content also should be appropriate. Jewell recalls one of his student pastors who used neon colors and music from U2 in a presentation for an elderly congregation.

Technology is definitely the lifeblood of the North Shore Chapel, a part of the Christian Reformed Church in North America that claims John Calvin as its spiritual ancestor. During the week, the pastor offers spiritual guidance by e-mail. Some members donate money through automatic bank withdrawals, which allows the church to avoid collections on Sunday morning. Many members worship daily by logging into sacredspace.ie, a website operated by Irish Jesuits. "If you have a nine-to-five job in the cube [cubicle], you show up 15 minutes early and have quiet prayer time," Laird says.

At the theater, 30 minutes before the service, a screening room feels like an electronic lab. Volunteer Elizabeth Gilman loads tunes from her iPod into a software system designed for churches. Another member tests still shots on a big screen – a sunrise, storm waves battering a castle, a foggy harbor – selected to illustrate the idea of trusting God under all circumstances. The smooth presentation belies the perennial debates that go into it: Is God best revealed in human emotions? Animals at play? Desolate landscapes?

A keyboardist reads notes from an electronic screen, and teenagers in T-shirts and shorts warm up their voices and guitars. To them, the technology provides a welcome distraction for the audience. "I'm leading them in worshiping God, not us," says singer Natasha Skovron. "So it helps that they're not watching us."

The church meets in a theater, Laird says, for the same reason he leads a theology discussion group in a nearby bar: People feel at ease in the environment. Attendees, mostly young adults and children, agree the technology makes them feel more comfortable. Construction worker Kevin Toerne of Danvers, Mass., whose children go to nursery and Sunday school in adjacent screening rooms, says the "upbeat music" and visuals help make the church less "stuffy."

Julie Shimer of Rowley believes it all keeps the ministry relevant. "It makes it seem like [the church's message] is not an old traditional thing that doesn't apply to your life," she says.

Some of those most moved by the techno-ministry are the ones who have participated in staging the service. Rob Kristoff hadn't thought much about hymn lyrics until he had to pick among some 3,000 electronic images to illustrate spiritual themes. The experience made him think hard about the purpose of worship. "If a song is about the bread of life, they [in the congregation] don't just need to see bread," he says. "They need to see what it looks like to be hungry."

With a noon matinee scheduled, worshipers pack their equipment and disappear into the suburban traffic. With that, they go their separate ways – at least until everyone gets back to their computer.

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