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Movie Guide

By David S. Hauck / September 23, 2005



A History of Violence (R)

Director: David Cronenberg. With Ed Harris, Viggo Mortensen, Maria Bello. (96 min.)

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David Cronenberg has spent so much time rooting around in the cellars of the human psyche that, by now, he could only surprise us if he made a sunny piece of inspirationalism. "A History of Violence" is certainly not that, but it ranks high on the Cronenberg scale as one of his more disturbing forays into depravity. Mortensen - he of the heroic jaw - plays the proprietor of a small-town diner whose idyllic family life is shattered when he kills two robbers during a hold up. Things, as usual, are not what they seem - they are much worse than you could imagine. Grade: B+
- Peter Rainer

Tim Burton's Corpse Bride (PG)

Directors: Tim Burton, Mike Johnson. With the voices of Johnny Depp, Helena Bonham Carter, Emily Watson. (76 min.)

A murdered bride hears a young man practicing wedding vows in the forest and drags him underground as her husband. Although the underworld is a lot less grim than the land of the living, he pines for his fiancée. Filmed in a style reminiscent of the model animation in Burton's "The Nightmare Before Christmas," this one has many amusing bits, but it's too macabre to be out-and-out funny, and feels unfinished. Grade: C+
- M.K. Terrell

Sex/Nudity: 1 scene of mild innuendo, 1 scene of partial male nudity. Violence: 6 instances Profanity: 1 mild expression. Drugs/cigarettes/alcohol: 2 scenes of smoking, 6 scenes with drinking.

Dear Wendy (R)

Director: Thomas Vinterburg. With Jamie Bell, Bill Pullman, Chris Owen. (105 min.)

"Dear Wendy" is written by - and must be seen as the latest chapter in the ongoing American cultural critique of - screenwriter Lars von Trier, Denmark's foremost filmmaker and no fan of US hegemony. Like the von Trier-directed "Dancer in the Dark" and "Dogville," "Dear Wendy" is set in a depressed community where the local teenage outcasts form a gun club/cult. Each has a "partner" (a pistol), and each subscribes to the idea that the power of a gun, like that of a nuclear deterrent, requires that it never be used. Tragedy, of course, looms large. Via stylized language, fetishism, and some obvious erotic obsessions, the filmmakers have created one weirdly provocative film, which isn't very successful but ought still to be seen. Grade: C
- John Anderson

Roll Bounce (PG-13)

Director: Malcolm D. Lee. With Bow Wow, Nick Cannon, Mike Epps. (112 min.)

Directed by Spike's cousin, Malcolm D. Lee, this homage to the '70s teen movie is so on target it might as well be a '70s teen movie. Charming, but much better when it's being funny than when it waxes sentimental, "Roll Bounce" is built on formula: When their South Side roller rink closes, a group of hardcore Chicago skaters head for the North Side, to skate, dance, and conquer. What keeps the film from succumbing to fatigue is a refreshing cast and Lee's deftness with comedy. Grade: B-
J.A.

Still in release
Everything Is Illuminated (PG-13)

Director: Liev Schreiber. With Elijah Wood, Eugene Hutz, Boris Leskin. (96 min.)

Liev Schreiber is one of the finest stage and screen actors of his generation and he's nothing if not ambitious. For his directorial debut he has chosen to adapt a portion of the sprawling Jonathan Safran Foer novel about a young Jewish-American's journey to a Ukrainian village to seek out the woman who saved his grandfather from the Nazis. Shreiber's film doesn't bear the usual actor-director trademarks: stodgy camerawork, too many scenes of people sitting around talking. The presentation has verve. But the story is confusingly told - everything is not illuminated - and, as the seeker, Elijah Wood is a big blank.

Grade: C+
- Peter Rainer

The Exorcism of Emily Rose (PG-13)

Director: Scott Derrickson. With Laura Linney, Tom Wilkinson. (114 min.)

"The Trial of Emily's Exorcist" may be a better title. The filmmakers aren't sure what their movie's about. They want you to know that the real Emily's courage in the face of demonic possession practically made her a saint. They want you to believe her priest (Wilkinson) was justified in giving spiritual rather than medical treatment. It's sincere and well-acted, especially in straightforward courtroom scenes, but cheap horror movie tricks undercut the movie's credibility and even its scariness. Linney stands out as the defense lawyer. Grade: C+
- M.K. Terrell

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