All the world's a Shakespeare stage

The RSC's recently announced plans to present the entire canon - dramas, comedies, histories, and even the sonnets - in one seven-month period beginning April 2006, signal that the playwright continues to be celebrated in his own land.

Americans, however, have come to Shakespeare more gradually, starting on a smaller scale.

The OSF traces its roots to 1935 when the town of Ashland contributed $400 to produce three plays. Although the population of Ashland still numbers only about 21,000, OSF sells nearly 400,000 tickets a year and draws steady audiences from Oregon, California, and Washington, adding visitors from across the country.

Ms. Gaines, who began Chicago Shakespeare Theater 19 years ago with $3,000, recalls, "When I said I was starting a theater for Shakespeare's plays, I was laughed up and down Michigan Avenue. 'Never in Chicago,' they said. Now we regularly sell out." Today, CST is housed in a seven-story building on Chicago's busy Navy Pier, and runs on an annual budget of $13 million.

In 1978, Ms. Packer directed her first production in Lenox, in the overgrown gardens at Edith Wharton's abandoned ruin of a country mansion. The actors had to clean out the debris to make room for their sleeping bags. The company moved from The Mount in 1999 after buying a 63-acre campus down the road for $3.5 million, but recently sold half the property for $3.9 million, to allow it to pay off debts and enhance its building fund.

As a group, these theaters run extensive education programs that have revolutionized the teaching of Shakespeare and primed the next generation to treat the plays as familiar, beloved experiences. Students and teachers in New England, up and down the West Coast, and in the Chicago public schools and others in the greater Midwest are prepared by teams of actors who turn classrooms into stages for vigorous, on-your-feet explorations of the plays. The students then come to the theaters by the busloads to see the professional shows. "Fifty-five thousand kids of the greater Chicago area are served each year, with their teachers. The students say that our theater is their favorite field trip," Gaines says.

Crowd-pleasing productions, vacation-time destinations, and year-round school programs are obvious reasons for the expansion of these theaters, but the final account lies in the plays themselves.

According to Appel, "A work of Shakespeare is something different from any old play. His plays continue to reach to every level of society." Gaines believes, "With the pain and suffering going on in the world, Shakespeare is the only playwright who steps up to the issues. Shakespeare lets the listener into the soul of his characters, and it's the same as your soul. It's basically about you."

Packer says, "As we become more media-driven, Shakespeare will become the counterculture for people who believe in the word. There will come a time when we have to start thinking again. The complexity of thought lies in language."

Page: 1 | 2