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How a party girl went in search of a panda

The true tale of a 1930s New York socialite who trekked Tibet determined to bring home a cub

(Page 2 of 2)



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But neither Harkness's story nor the panda's has a happy ending: The panda died after about a year in captivity and Harkness would never again be as happy as she had been on her first trip to China and her first exploring expedition, when she'd been heady with novelty, risk, physical privation, and a love affair. Less than 10 years later, after a handful of less wondrous expeditions, Harkness died of the effects of alcoholism.

It's a remarkable story, and one has to admire Harkness's pluck and feel compassion for a life that finishes so sadly. Nonetheless, one doesn't have to admire her in quite such uncritical terms as Croke does, which is, ultimately, the weakness of her book.

Croke is remarkably disposed to make a hero of Harkness, and does so in a depiction that is more fawning than nuanced.

Croke tells us that she relied heavily upon voluminous letters that Harkness wrote to her closest friend back in the US, but she quotes from these letters only sparingly, drawing mostly on passages in which Harkness writes about China with a tone of proto-New Age spirituality. "I have discovered this much at least," she wrote from her Western hotel in Shanghai, "that as long as one is 'earthbound by a desire for possessions' (that aspect does not worry me) and also by people, one will never get anywhere." Perhaps, paraphrases Croke, "this country felt so much like home because she was being reborn here."

But her professions of finding peace in Eastern spirituality turn out to be shallow: That peace shatters as soon as the excitement of the place wears thin.

Nonetheless, Croke goes to great lengths to paint Harkness as a Western iconoclast who found her spiritual home in China, among the Chinese people, who she believed (with little regard for the political currents that would soon tear China apart), had found inner peace. But what emerges instead is a more complicated portrait of an imperious thrill-seeker with as much pathos as principle.

On her second expedition to China, Harkness seemed woefully negligent in her preparations, and made no arrangements to transport a panda back from the wilderness. It appears that Harkness was miffed that Quentin Young, who had married since their first expedition and affair, did not join her, and set off merely to prove that she could do it without him.

That takes spirit, but sometimes in life sense, as well as spirit, is called for, and it doesn't come as a surprise that one of the pandas died along the way, something that Harkness took great care to downplay with the adoring press.

But Croke seems determined to take Harkness at her most self-flattering. That Harkness had flaws does not, of course, make her an unworthy subject for a biography - on the contrary, it perhaps makes her all the more interesting - but this book's overly credulous tone makes "The Lady and the Panda" feel more like exalted eulogy than history.

Adelle Waldman writes for The Wall Street Journal Online in New York City.

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