National Book Critics Circle finalists / Biography & Memoir

Every category challenges literary judges with quandaries: How can collections of short stories compete with novels for the Fiction prize? Why pit a study of molecular biology against a history of jazz for the General Nonfiction award? And what on earth should be considered for the criticism award? But nothing is more confounding than the "Biography & Memoir" category. The board members of the National Book Critics Circle perennially consider decoupling that awkward union, but the category lives on, and its strange bedfellows are on display again this year: The quirky reflections of Bob Dylan sit among exhaustively researched biographies of Alexander Hamilton, William Shakespeare, Willem de Kooning, and Mary Queen of Scots. What criteria will the judges use on March 18 to compare these books and determine which is the best? "The answer, my friend, is blowin' in the wind."

We reviewed the Fiction finalists last week, and we'll look at the finalists in General Nonfiction on Feb. 15.

- Ron Charles, book editor

Alexander Hamilton is remembered today mostly for his death in an 1804 duel with Aaron Burr. But Hamilton's impact was equal to, if not greater than, that of any of the other Founding Fathers. His life story is compelling, and Chernow makes the best of it. Hamilton was born in the West Indies; his parents never married. He joined the Revolutionary Army, and his prowess as an artillery captain soon caught Washington's eye. After the revolution, he married Elizabeth "Eliza" Schuyler, a member of one of New York's wealthiest families, and he began to shape the nation's future. He was a driving force behind the Constitutional Convention and was an author of the Federalist Papers. Washington appointed Hamilton the nation's first Treasury secretary, and it is here that the young immigrant's genius flourished. After his death, Hamilton's legacy was tarnished by his political foes - especially Adams, Jefferson, and Madison. In their writings, they portrayed him as a closet aristocrat who would have preferred a monarchy allied with England. But in Chernow's hands, Hamilton emerges as a strong advocate of American independence, constitutional government, and individual freedom. (Full review June 15)

Fans of the enigmatic Mr. Dylan (and legions of the merely curious) have clamored for decades to know what makes the man tick. Where in the world did those odd and impenetrable lyrics come from? Who is Mr. Jones, the tambourine man, and the sad-eyed lady of the lowlands? Why was Einstein sniffing drainpipes, for heaven's sake? Well, folks, you're just going to have to wait for those answers (at least until "Chronicles II," if it ever shows up.) What you do get from Dylan is a highly entertaining, quirky, and vivid memoir of assorted adventures, epiphanies, idols, and muses. He lets us accompany Robert Zimmerman, the greenhorn folkie, freshly arrived from Hibbing, Minn., as he dives headfirst into the simmering cultural caldron of New York's Greenwich Village, in 1960. He emerged less than a year later as the Bob Dylan of legend. "I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt it was looking at me and nobody else." This carnivore of books and language, this collector of characters and stories, had found his Mecca, and his delight in recalling the people and places that fostered the artist as a young man is what truly lights up this volume. By John Kehe

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