Director: Peyton Reed. With Renée Zellweger, Ewan McGregor, David Hyde Pierce, Tony Randall. (96 min.)Skip to next paragraph
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Sterritt * See full review.
Director: Guy Maddin. With Zhang Wei-Qiang, Tara Birtwhistle, the Royal Winnipeg Ballet. (75 min.)
Sterritt **** Maddin reconfirms his well-established status as one of modern cinema's great fabulists with this dance version of Bram Stoker's great novel about a vampire, his victims, and his nemesis. The visual style is at once deliberately archaic and slyly postmodernist, slinky and sensuous from first frame to last. Credit also goes to Mark Godden for the passion-filled choreography and Gustav Mahler for the superbly chosen score.
Directors: The Wachowski Brothers. With Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss. (138 min.)
Sterritt ** See full review.
Director: Baltasar Kormákur. With Gunnar Eyjólfsson, Sven Nordin, Hélène de Fougerolles. (109 min.)
Sterritt ** Tensions flare when an older Icelandic businessman calls his family together at his home near the coast and tries to forge an agreement on financial matters that holds a key to their future. Hovering somewhere between the domestic passions of "King Lear" and the realism-based Dogma 95 film movement in neighboring Denmark, with echoes of Ibsen and Strindberg, Kormakur's drama is ultimately more ambitious than enlightening. In Icelandic with English subtitles.
Director: Ken Loach. With Martin Compston, Michelle Coulter, Gary McCormack, Annmarie Fulton. (106 min.)
Sterritt *** Approaching his 16th birthday, a troubled Glasgow lad awaits his mother's return from prison; he schemes to raise the money that might let him escape his dysfunctional household and start a better life. Loach has made more memorable films, such as "Raining Stones" and "Ladybird Ladybird," but his dramatic sense remains strong and his social conscience is absolutely unstoppable.
Director: Christopher Guest. With Eugene Levy, Catherine O'Hara, Bob Balaban, Parker Posey. (87 min.)
Sterritt *** Guest follows his amusing "Waiting for Guffman" and "Best in Show" with yet another faux documentary, focusing on folkies from the '60s era of sentimental ballads and lusty protest songs. The parody would be more memorable if it satirized a broader section of the folk-music scene instead of limiting itself to commercialized acts of the Kingston Trio and Peter, Paul & Mary ilk. But it is as accurate as it is funny.
Staff *** Quirky, witty, well-acted.
Sex/Nudity: 7 scenes with innuendo. Violence: None. Profanity: None. Drugs: 2 drinking scenes.
Director: Peter Segal. With Jack Nicholson, Adam Sandler, Marisa Tomei, Heather Graham. (100 min.)
Sterritt *** A businessman (Sandler) with an anger problem gets sentenced to live-in therapy sessions with an eccentric shrink (Nicholson). The comedy is uneven and sometimes crude, but it's worth seeing for Sandler's minimalist acting and for a few very funny scenes. Nicholson also is fine when he isn't overplaying his character's shenanigans.
Staff **1/2 Promising start, too slapstick, predictable.
Sex/Nudity: Innuendo throughout; heavy kissing between women. Violence: 15 scenes of violence, mostly fights. Profanity: 23 harsh profanities. Drugs: 14 scenes with drinking and smoking.
Director: Gurinder Chadha. With Parminder K. Nagra, Jonathan Rhys-Meyers, Keira Knightley. (112 min.)
Sterritt ** The heroine is a soccer-loving Indian teen living in London with her traditional family; they believe nice young women shouldn't chase after balls, and their conservatism may prevent her from fashioning her future on her own terms. The film probes territory already explored in pictures like "East Is East," but its look at cultural clashes is always well-meaning and good-humored.
Staff **1/2 Joyous, innocent, predictable.
Sex/Nudity: 1 mild sex scene. Violence: Mild violence on the soccer field. Profanity: 7 profanities. Drugs: 8 scenes of drinking; 1 with smoking.
Director: Steve Carr. With Eddie Murphy, Jeff Garlin, Anjelica Huston. (93 min.)