A perilous cruise through the heart of 2001

Let's face it, friends in movieland: The year 2001 was a lot less exciting than the movie "2001," which didn't even get the wide-scale revival it deserved. Month after month brought disappointment after disappointment - a diverting romp here, a mildly original story there, but little that clung to memory once the final credits had faded.

Compiling a 10-best list is challenging on such occasions. But hey, I'm a film critic, so danger is my business. Although some of the pictures chosen here were let-downs when I saw them, at year's end they stand out as the best of the crop. I've listed them in alphabetical order, except for the Iranian films that close the roster with a four-way tie.

All these movies had their American theatrical premières within the past 12 months:

Apocalypse Now Redux. The year brought reissues of many excellent old movies, including Jean-Luc Godard's comedy-thriller "Band of Outsiders" and Luis Buñuel's surrealistic "That Obscure Object of Desire." But this edition of Francis Ford Coppola's epic is a new movie of sorts, reedited to accommodate 53 minutes of material left out of the original 1979 release.

Some of the restored footage adds more length than substance to Coppola's episodic journey through the Vietnam war, loosely based on Joseph Conrad's novel "Heart of Darkness" about a civilized man's harrowing voyage into a netherworld of terror and despair. Much of the drama still carries a powerful charge, though, especially when intrepid soldier Martin Sheen finally confronts demented genius Marlon Brando in a makeshift jungle kingdom that embodies the horror and insanity of a geopolitical world gone mad.

It's as messy as it is ambitious, but it remains a haunting emotional experience, as well as a key document for anyone interested in the Vietnam conflict and its soul-searching aftermath.

Ghost World. Terry Zwigoff's first fiction film shows the same affection for eccentric ideas and marginalized people that made his 1994 documentary "Crumb" so revealing.

Thora Birch and Scarlett Johansson are just about perfect as two high-school grads who shudder at the thought of entering an adult world they neither like nor understand. Steve Buscemi is even better as their newfound friend, a reclusive record collector with antisocial tendencies of his own. The film isn't fast or flashy, but it has social, psychological, and ultimately mystical overtones that raise it miles above the sort of everyday teen comedy it superficially resembles.

Gosford Park. Robert Altman's rambling satire takes a not-so-discreet peek at just about everyone in an English mansion during a hunting-party weekend about 70 years ago, almost beating the TV classic "Upstairs Downstairs" at its own class-conscious game. A key figure in modern American film, Altman helped invent and refine this sort of large-canvas comedy in pictures like "Nashville" and "The Player." While this doesn't quite reach their level, it has high-spirited humor and thoughtful subtexts to spare.

The Man Who Wasn't There. After the klutzy comedy "O Brother, Where Art Thou?" the talented Coen brothers made an almost-instant comeback with this darkly humorous takeoff of novelist James M. Cain's brooding brand of ultra-pulp fiction.

Billy Bob Thornton dominates the story with his stylized portrayal of a 1940s barber whose painstakingly sculptured haircut is his own worst advertisement. Frances McDormand is also excellent as his cheating wife, and Jon Polito steals several scenes as the dry-cleaning entrepreneur whose tempting business deal lures our hero into a bungled web of crime and misadventure. Joel Coen directed with flair, and Roger Deakins's black-and-white cinematography is almost as expressive as the Beethoven piano music that wafts through the sound track.

Page: 1 | 2